Whether your interÂest is in winÂning arguÂments online or conÂsidÂerÂably deepÂenÂing your knowlÂedge of world culÂturÂal and intelÂlecÂtuÂal hisÂtoÂry, you will be very well-served by at least one govÂernÂment agency from now into the foreÂseeÂable future. Thanks to the expiÂraÂtion of the so-called “Micky Mouse ProÂtecÂtion Act,” the U.S. CopyÂright Office will release a year’s worth of art, litÂerÂaÂture, scholÂarÂship, phoÂtogÂraÂphy, film, etc. into the pubÂlic domain, startÂing with 1923 this year then movÂing through the 20th cenÂtuÂry each subÂseÂquent year.
And thanks to the venÂerÂaÂble online instiÂtuÂtion the InterÂnet Archive, we already have almost 11,000 texts from 1923 in mulÂtiÂple digÂiÂtal forÂmats, just a click or two away.
A curÂsoÂry surÂvey proÂduced Wm. A. Haussmann’s transÂlaÂtion of Nietzsche’s The Birth of Tragedy, Arthur StanÂley Eddington’s The MathÂeÂmatÂiÂcal TheÂoÂry of RelÂaÂtivÂiÂty, WalÂdo Lincoln’s HisÂtoÂry of the LinÂcoln FamÂiÂly, covÂerÂing the President’s ancesÂtors and descenÂdants from 1637 to 1920…
…Lynn Thorndike’s A HisÂtoÂry of MagÂic and ExperÂiÂmenÂtal SciÂence, VolÂume I, ChanÂdra Chakraberty’s An InterÂpreÂtaÂtion of Ancient HinÂdu MedÂiÂcine, Edward McCurdy’s transÂlaÂtions of LeonarÂdo da Vinci’s NoteÂbooks, NanÂdal Sinha’s transÂlaÂtion of The VaisÂesiÂka Sutras of KanaÂda, WinÂston Churchill’s The World CriÂsis, HenÂry Adams BelÂlows’ transÂlaÂtion of The PoetÂic Edda, a colÂlecÂtion of Mussolini’s politÂiÂcal speechÂes from 1914–1923, and Thom’s Irish Who’s Who, which catÂaÂlogues “promiÂnent men and women in Irish life at home and abroad,” but tellingÂly leaves out James Joyce, who had just pubÂlished Ulysses, to some infamy, the preÂviÂous year. (It does include William ButÂler Yeats.)
1923 turns out to have been a parÂticÂuÂlarÂly rich litÂerÂary year itself, with many of the 20th century’s finest writÂers pubÂlishÂing major and lessÂer-known works (see here and here, for examÂple). BrowsÂing and focused searchÂing through the archive—by topÂic, colÂlecÂtion, creÂator, and language—will net many a litÂerÂary clasÂsic or overÂlooked gem by some famous author. But you’ll also find much in this enorÂmous colÂlecÂtion of digÂiÂtized books that you would nevÂer think to look for, like browsÂing the shelves of a BorÂgeÂsian uniÂverÂsiÂty library with an entire wing devotÂed to the year 1923.
The InterÂnet Archive homeÂpage looks as modÂest as it does dedÂiÂcatÂed, listÂing all of its top colÂlecÂtions rather than foreÂgroundÂing the huge tranche of newÂly-availÂable mateÂrÂiÂal (and countÂing) on the 1923 shelves. But founder BrewÂster Kahle does not mince words in describÂing its incredÂiÂble imporÂtance. “We have shortÂchanged a genÂerÂaÂtion,” he says, “The 20th cenÂtuÂry is largeÂly missÂing from the interÂnet” (in legalÂly availÂable form, that is). Now and in the comÂing years, thouÂsands of its stoÂries can be told by teachÂers, scholÂars, artists, and filmÂmakÂers with ever-broadÂenÂing access to docÂuÂmenÂtary hisÂtoÂry.
RelatÂed ConÂtent:
The PubÂlic Domain Project Makes 10,000 Film Clips, 64,000 Images & 100s of Audio Files Free to Use
Josh Jones is a writer and musiÂcian based in Durham, NC. FolÂlow him at @jdmagness
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