The setÂting: LonÂdon. In parÂticÂuÂlar, StepÂney, LonÂdon E1. The year, a warm sumÂmer in 1974, July 21 to be exact. And a very earÂly video camÂera, only able to shoot in black and white, records the events of the E1 FesÂtiÂval, a free day out for famÂiÂlies, restÂless teens, and bell botÂtomed, long-haired youth enjoyÂing the sun. There’s IndiÂan musiÂcians, face paintÂing, carÂniÂval games, jazz bands, folk dancÂing, and a “Wellie Boot ChuckÂing ComÂpeÂtiÂtion”. You know, “the lot,” as the EngÂlish would say. But then, around 40 minÂutes in, the videoÂgÂraÂphÂer decides to shoot the pub rock band playÂing on the main stage.
If the bespecÂtaÂcled 19 year old looks and sounds a bit familÂiar, well luvvies, you’re not seeÂing things. This is the first filmed appearÂance of a young Elvis CostelÂlo, beclad in very fetchÂing dunÂgaÂrees and fronting his first band Flip City. This was their third ever gig, accordÂing to the Elvis CostelÂlo fan site.
A full three years before Declan MacÂManus would change his name and burst upon the scene with My Aim Is True, here he is payÂing his dues.
Flip City was Costello’s secÂond group, the first being a folk rock duo called Rusty that played John Prine, Jesse WinÂchesÂter, and Van MorÂriÂson covÂers in between their own songs. After CostelÂlo split from LivÂerÂpool and left for LonÂdon, he jumped on the pub rock bandÂwagÂon that was already formed around Nick Lowe, Dr. FeelÂgoÂod, and BrinsÂley Schwarz, mixÂing up AmerÂiÂcana and R’n’B covÂers with very British origÂiÂnals. They even recordÂed demos a few years after this gig, which were wideÂly bootÂlegged until most of them appeared on bonus tracks on varÂiÂous CD reisÂsues. (You can lisÂten to them here.)
But back to 1974. We have no record of their full set, but the two songs on the video are from the CoastÂers’ “I’m a Hog for You” (the B‑side of “CharÂlie Brown” but covÂered by ScreamÂing Lord Sutch in 1963) and from the Isley BrothÂers, “This Old Heart of Mine,” a Motown staÂple. Despite Costello’s encyÂcloÂpeÂdiÂac knowlÂedge of music, he nevÂer again played these two songs live again.
It might be 20/20 hindÂsight, but one can already hear the talÂent and the conÂfiÂdence (or at least mock conÂfiÂdence) that would soon proÂpel the young man into the charts. The rest, as they say, is much betÂter than winÂning the wellie chuckÂing conÂtest.
RelatÂed ConÂtent:
The Stunt That Got Elvis CostelÂlo Banned From SatÂurÂday Night Live (1977)
Elvis CostelÂlo Sings “PenÂny Lane” for Sir Paul McCartÂney at The White House
Ted Mills is a freeÂlance writer on the arts who curÂrentÂly hosts the artist interÂview-based FunkZone PodÂcast and is the proÂducÂer of KCRÂW’s CuriÂous Coast. You can also folÂlow him on TwitÂter at @tedmills, read his othÂer arts writÂing at tedmills.com and/or watch his films here.
BrilÂliant find and writeÂup. If EC is a genius, which of course is arguable, it’s interÂestÂing how much conÂfiÂdence flows from, and to, the truÂly talÂentÂed.
https://youtu.be/kNgdRc0Hzus?t=23m46s It Is PosÂsiÂble!