96-Year-Old Holocaust Survivor Fronts a Death Metal Band

As we get old­er, fam­i­ly and friends may pass away or leave us some­how, but for many of us cre­ativ­i­ty can be our solace. (Yes, it could also make us immor­tal, like Bach or Shake­speare, but we won’t be around to find out.) In the case of nona­ge­nar­i­an Inge Gins­berg that has been the case in the unlike­li­est of out­lets: death met­al.

This charm­ing New York Times doc­u­men­tary by Leah Galant details the unlike­ly team-up between Ginsberg–who spends her time between Switzer­land and New York City–and the young musi­cians who became her friends and got her into per­form­ing her poems live with full death met­al accom­pa­ni­ment.

Half earnest and half good-natured stunt, the cen­ter of it all is Ginsberg’s poems, which she has been writ­ing for years, and only a tiny glimpse of which we get to hear. The poems take on heavy sub­jects of mor­tal­i­ty, our destruc­tion of the earth, lone­li­ness. At one point Gins­berg was writ­ing these with no audi­ence, and, as she says in the doc, soci­ety is not inter­est­ed in hear­ing from the elder­ly (espe­cial­ly when it’s this dark.) It took her younger friends to make the con­nec­tion between her poems and the usu­al pre­oc­cu­pa­tions of death met­al and insist Gins­berg per­form them in that hec­tor­ing, doom laden-style of the genre. She was game.

Galant’s mini doc rewinds his­to­ry halfway through to explain Ginsberg’s upbring­ing: a “Jew­ish princess” who sur­vived the Holo­caust, fled to Amer­i­ca, and wound up writ­ing songs with her hus­band (Dean Martin’s “Try Me” was one of their hits). Tired of the war, they moved back to Zurich, and, well, fast for­ward three hus­bands and sev­er­al decades lat­er, Gins­berg was back in the spot­light, per­form­ing on the Swiss ver­sion of America’s Got Tal­ent.

We won’t spoil the end­ing of the doc, as the band try to get Gins­berg to try out for the actu­al America’s Got Tal­ent, because we’ve already said enough. But we’ll leave you with this quote from the singer her­self: “My con­cept of heav­en and hell is that in the moment of death you real­ize your life was full and good–that is heav­en. And if you think, ‘Oh, I should have done this or that,’ I think that’s hell.”

via Laugh­ing Squid

Relat­ed Con­tent:

Watch Bat­tle-Scarred Heavy Met­al Musi­cians Play Rock ‘n’ Roll Clas­sics on Hel­lo Kit­ty Instru­ments

John Cage’s Silent, Avant-Garde Piece 4’33” Gets Cov­ered by a Death Met­al Band

The Physics of Play­ing a Gui­tar Visu­al­ized: Metallica’s “Noth­ing Else Mat­ters” Viewed from Inside the Gui­tar

Ted Mills is a free­lance writer on the arts who cur­rent­ly hosts the artist inter­view-based FunkZone Pod­cast and is the pro­duc­er of KCR­W’s Curi­ous Coast. You can also fol­low him on Twit­ter at @tedmills, read his oth­er arts writ­ing at tedmills.com and/or watch his films here.