AnthoÂny BourÂdain was not a parÂticÂuÂlarÂly good chef. That stateÂment comes not as a cheap shot at the recentÂly departÂed, but a quote from the departÂed himÂself. BourÂdain freely admitÂted it over a couÂple of Tiger beers with a Fast ComÂpaÂny interÂviewÂer last year. “I was very deservedÂly fired on a numÂber of occaÂsions,” he adds for good meaÂsure, refÂerÂencÂing his decades of dirty work and drug abuse before he rose to promiÂnence in the worlds of food- and travÂel-cenÂtric books and teleÂviÂsion. But in more than one way, those decades preÂpared him to ride the kind of sucÂcess he would evenÂtuÂalÂly achieve into a body of work that could have arisen from no othÂer life or perÂsonÂalÂiÂty.
“Most of the peoÂple I’ve met who’ve been in the teleÂviÂsion indusÂtry for a long time, their greatÂest fear is that they will not be in the teleÂviÂsion indusÂtry next year,” BourÂdain says. “That they’ll say someÂthing or do someÂthing or make a deciÂsion that will be so unpopÂuÂlar that they’ll lose their gig and won’t end up back on teleÂviÂsion again. I don’t have that fear.” He knew, sureÂly betÂter than anyÂone who has pubÂlicly remarked on it, that he may not have shown the genius in the kitchen to attain star-chef staÂtus. But he also knew he had someÂthing ultiÂmateÂly more imporÂtant: the skills to turn out meal after flawÂless meal, day in and day out. “If I have to,” he says, “I’m pretÂty sure I can keep up on an omelet staÂtion.”
Many rememÂbrances of BourÂdain have highÂlightÂed his iron proÂfesÂsionÂalÂism. “He is conÂtrolled to the point of neuÂroÂsis: clean, orgaÂnized, disÂciÂplined, courÂteÂous, sysÂtemÂatÂic,” wrote the New YorkÂer’s Patrick RadÂden Keefe in a proÂfile pubÂlished last year. “He is ApolÂlo in drag as DionyÂsus.” BourÂdain credÂitÂed that to his lean years in the kitchen: “EveryÂthing imporÂtant I ever learned, I learned as dishÂwashÂer and as a cook: you show up on time, you stay orgaÂnized, you clean up after yourÂself, you think about the peoÂple you work with, you respect the peoÂple you work with. You do the best you can.” This went for matÂters perÂsonÂal as well as proÂfesÂsionÂal: “If I say to you I’m going to meet you tomorÂrow at twelve minÂutes after five to see John Wick 7, I will be there at 5:02.”
He would also, he adds, be “hangÂing out across the street, disÂcreetÂly observÂing to see what time you show up. And I’ll be makÂing some very imporÂtant deciÂsions based on your arrival time.” BourÂdain’s exactÂing stanÂdards, for himÂself and othÂers, allowed him to achieve an unusuÂal degree of freeÂdom for a major media perÂsonÂalÂiÂty. “I detest comÂpeÂtent, workÂmanÂlike stoÂryÂtelling,” he says of his and his colÂlabÂoÂraÂtors’ penÂchant for creÂative risk. “A powÂerÂful reacÂtion, in one way or the othÂer, is infiÂniteÂly preferÂable to me than pleasÂing everyÂbody.” Yet despite takÂing books and teleÂviÂsion shows ostenÂsiÂbly about food in new and unpreÂdictable aesÂthetÂic and intelÂlecÂtuÂal direcÂtions, in the kitchen he remained a traÂdiÂtionÂalÂist to the end. “You put chickÂen in a carÂbonara? You lost me. It’s an unforÂgivÂable sin against God.”
RelatÂed ConÂtent:
Hear Leonard Cohen’s Final InterÂview: RecordÂed by David RemÂnick of The New YorkÂer
Carl Sagan Issues a ChillÂing WarnÂing to AmerÂiÂca in His Final InterÂview (1996)
David FosÂter WalÂlace: The Big, Uncut InterÂview (2003)
Paulo CoelÂho on How to HanÂdle the Fear of FailÂure
Based in Seoul, ColÂin MarÂshall writes and broadÂcasts on cities and culÂture. His projects include the book The StateÂless City: a Walk through 21st-CenÂtuÂry Los AngeÂles and the video series The City in CinÂeÂma. FolÂlow him on TwitÂter at @colinmarshall or on FaceÂbook.
DidÂn’t that guy kill himÂself?
If there’s one perÂson I am not takÂing life lessons from it’s AnthoÂny BourÂdain.
Lmao you guys are huge jackÂassÂes