Many thinkers enjoy sciÂence ficÂtion, and some even creÂate it, but Arthur C. Clarke seemed to posÂsess a mind preÂciÂsion-engiÂneered for every aspect of it. When not writÂing such now-clasÂsics of the traÂdiÂtion as ChildÂhood’s End, RenÂdezvous with Rama, and 2001: a Space Odyssey, he preÂdictÂed such actuÂal eleÂments of humanÂiÂty’s future as 3D printÂers and the interÂnet. He must also have posÂsessed quite a disÂcernÂing ear and eye for othÂer works of sciÂence ficÂtion — an abilÂiÂty, in othÂer words, to sepÂaÂrate the art and the insight from the nonÂsense. (A useÂful abilÂiÂty indeed, givÂen that, in the words of sci-fi author Theodore SturÂgeon, “nineÂty perÂcent of everyÂthing,” his and Clarke’s field not exceptÂed, “is crap.”)
Asked in 1984 to name his favorite sciÂence-ficÂtion films, Clarke came up with this top-twelve:
- MetropÂoÂlis (1927, watch it above)
- Things to Come (1936)
- FrankenÂstein (1931)
- King Kong (origÂiÂnal verÂsion) (1933)
- ForÂbidÂden PlanÂet (1956)
- The Thing from AnothÂer World (origÂiÂnal verÂsion) (1951)
- The Day the Earth Stood Still (1951)
- 2001: A Space Odyssey (1968)
- Star Wars (1977)
- Close EncounÂters of the Third Kind (1980)
- Alien (1979)
- Blade RunÂner (1982)
The request came to him on the set of 2010: The Year We Make ConÂtact, Peter Hyams’ sequel to StanÂley KubrickÂ’s 2001: A Space Odyssey, which appears on Clarke’s list. This selecÂtion may at first seem self-servÂing, givÂen his own involveÂment in the film’s genÂeÂsis, but Clarke’s 2001 and KubrickÂ’s 2001, parÂalÂlel projects derived from a colÂlabÂoÂraÂtive idea, endÂed up as very difÂferÂent works of sciÂence ficÂtion.
Clarke’s choicÂes, “which include some obviÂous titles, clasÂsics and modÂern senÂsaÂtions, are a well-roundÂed group that would serve any neoÂphyte well in studyÂing and expeÂriÂencÂing the best that HolÂlyÂwood has to offer in that corÂner of cinÂeÂma,” writes SyfyÂWire’s Jeff Spry. He adds that Clarke couldÂn’t quite decide whether to include Star Trek II: the Wrath of Khan, the picÂture credÂitÂed with turnÂing Star Trek movies into much more than a one-off propoÂsiÂtion; and, in addiÂtion to Star Wars, which had already made his list, he conÂsidÂered Return of the Jedi — though not, intriguÂingÂly, The Empire Strikes Back, now perÂhaps the most respectÂed Star Wars movie of them all.
This top-twelve list, in any case, shows that Clarke knew a clasÂsic when he saw one, and that he must have had a fairÂly expanÂsive defÂiÂnÂiÂtion of sciÂence ficÂtion, one that encomÂpassÂes even “monÂster movies” like FrankenÂstein and King Kong. (Some purists even insist that Star Wars belongs in the fanÂtaÂsy colÂumn.) But he also showed, as always, a cerÂtain preÂscience, as eviÂdenced by his selecÂtion of RidÂley ScotÂt’s Blade RunÂner, now recÂogÂnized as one of the most influÂenÂtial films of all time, sci-fi or othÂerÂwise, but then still a fresh vicÂtim of comÂmerÂcial and critÂiÂcal disÂasÂter. Only Philip K. Dick himÂself, author of the novÂel that proÂvidÂed Blade RunÂner its source mateÂrÂiÂal, could see its future more clearÂly. Dick and Clarke’s work may have had litÂtle in comÂmon, but great sciÂence-ficÂtionÂal minds, it seems, think alike.
RelatÂed ConÂtent:
In 1964, Arthur C. Clarke PreÂdicts the InterÂnet, 3D PrintÂers and Trained MonÂkey SerÂvants
Arthur C. Clarke PreÂdicts the InterÂnet & PC in 1974
Isaac AsiÂmov PreÂdicts in 1964 What the World Will Look Like Today — in 2014
MetropÂoÂlis: Watch Fritz Lang’s 1927 MasÂterÂpiece
Based in Seoul, ColÂin MarÂshall writes and broadÂcasts on cities and culÂture. He’s at work on a book about Los AngeÂles, A Los AngeÂles Primer, the video series The City in CinÂeÂma, the crowdÂfundÂed jourÂnalÂism project Where Is the City of the Future?, and the Los AngeÂles Review of Books’ Korea Blog. FolÂlow him on TwitÂter at @colinmarshall or on FaceÂbook.
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