This past spring the streets of Seoul, where I live, felt more like a sci-fi movie than usuÂal. Large overÂhead video screens kept the popÂuÂlaÂtion postÂed on the progress of a series of Go matchÂes between 18-time world chamÂpiÂon Lee Sedol and AlphaÂGo, a piece of artiÂfiÂcial intelÂliÂgence develÂoped by Google DeepÂMind. ComÂputÂers have long had a speÂcial difÂfiÂculÂty masÂterÂing that traÂdiÂtionÂal game, but before long it became clear that this comÂputÂer would win most of the matchÂes, despite the human’s forÂmerÂly unshakÂable preÂdicÂtion of the oppoÂsite outÂcome. What would artiÂfiÂcial intelÂliÂgence achieve next?
“In the wake of Google’s AI Go vicÂtoÂry, filmÂmakÂer Oscar Sharp turned to his techÂnolÂoÂgist colÂlabÂoÂraÂtor Ross GoodÂwin to build a machine that could write screenÂplays,” say the video notes for the new short film SunÂspring. They assemÂbled hunÂdreds of sciÂence ficÂtion scripts, mostÂly from 1980s and 90s teleÂviÂsion shows and movies, and fed them into the artiÂfiÂcial intelÂliÂgence, which evenÂtuÂalÂly named itself BenÂjamin, so as to teach it the mechanÂics of screenÂwritÂing. “BuildÂing a team includÂing Thomas MidÂdledÂitch, star of HBO’s SilÂiÂcon ValÂley, they gave themÂselves 48 hours to shoot and edit whatÂevÂer BenÂjamin decidÂed to write.” BenÂjamin decidÂed to write eight minÂutes’ worth of its own interÂpreÂtaÂtion of the tropes of a cerÂtain kind of sci-fi enterÂtainÂment.
It did come up with, fair to say, some diaÂlogue a human screenÂwriter could only dream of — that is to say, words with the kind of unconÂscious logÂic that, delivÂered by livÂing, breathÂing actors in physÂiÂcal spaces, take on weight, humor, and even an askew kind of meanÂing. (MidÂdledÂitch’s desponÂdent “I am not a bright light” will sureÂly stay quotable for years to come.) You can learn more about the makÂing of SunÂspring from this Ars TechÂniÂca piece by Annalee Newitz. BenÂjamin won’t put any sci-fi scribes out of work just yet, hauntÂing though it may seem for a proÂgram to have come so close to doing someÂthing clasÂsiÂcalÂly human as telling a stoÂry about the future. But rememÂber, peoÂple had to write that proÂgram, just as peoÂple had to creÂate AlphaÂGo; every achieveÂment of artiÂfiÂcial intelÂliÂgence thus also counts as an achieveÂment of humanÂiÂty.
RelatÂed ConÂtent:
Noam ChomÂsky Explains Where ArtiÂfiÂcial IntelÂliÂgence Went Wrong
Based in Seoul, ColÂin MarÂshall writes and broadÂcasts on cities and culÂture. He’s at work on a book about Los AngeÂles, A Los AngeÂles Primer, the video series The City in CinÂeÂma, the crowdÂfundÂed jourÂnalÂism project Where Is the City of the Future?, and the Los AngeÂles Review of Books’ Korea Blog. FolÂlow him on TwitÂter at @colinmarshall or on FaceÂbook.
It’s great to see AI being used in such creÂative ways. I used an RNN for Style transÂfer on “All Star” by Smash Mouth, and made it look like a KanaÂgawa wave paintÂing.
Check it out, it might be the future of enterÂtainÂment
https://youtu.be/08p0j_Y4lK0