Of all the philoÂsophÂiÂcal conÂcepts Immanuel Kant is known for, the one I’ve had to strugÂgle the least to grasp is his descripÂtion of the subÂlime, a state in which we are overÂawed by the scale of some great work of man or nature. It’s an expeÂriÂence, in typÂiÂcal KantÂian fashÂion, that he explains as being not about the thing itself, but rather the idea of the thing. Yet the conÂcept of the subÂlime isn’t his. PhilosoÂphers from the Greek teacher LongÂiÂnus in the 1st cenÂtuÂry to Edmund Burke and othÂer EngÂlish EnlightÂenÂment thinkers in KanÂt’s own 18th cenÂtuÂry have had their take on it. For the clasÂsiÂcal writÂers, the subÂlime was rhetorÂiÂcal, for the Brits, it was empirÂiÂcal. But above all, the subÂlime is peak aesthetics—a supra-ratioÂnal expeÂriÂence of art or nature one canÂnot get one’s head around. To be so fulÂly absorbed, so strickÂen with awe, wonÂder, and, yes, even fear—all of these philosoÂphers believed in some fashion—is to have an expeÂriÂence critÂiÂcal to tranÂscendÂing our limÂiÂtaÂtions.
We may not, in either comÂmon speech or acaÂdÂeÂmÂic phiÂlosÂoÂphy, talk much about the subÂlime these days, but whatÂevÂer we call the feelÂing of being absorbed in art, music, or nature, it turns out to have physÂiÂcal benÂeÂfits as well as menÂtal and emoÂtionÂal. “There seems to be someÂthing about awe,” says proÂfesÂsor of psyÂcholÂoÂgy Dacher KeltÂner. “It seems to have proÂnounced impact on markÂers relatÂed to inflamÂmaÂtion.”
In othÂer words, immersÂing yourÂself in art or nature is good for the joints, and it could posÂsiÂbly preÂempt varÂiÂous disÂeases trigÂgered by inflamÂmaÂtion. KeltÂner and his felÂlow researchers at UC BerkeÂley conÂductÂed a study which found that “awe, wonÂder and beauÂty proÂmote [lowÂer and overÂall] healthÂiÂer levÂels of cytokines”—proÂteins that “sigÂnal the immune sysÂtem to work hardÂer.” He goes on to say that “the things we do to expeÂriÂence these emotions—a walk in nature, losÂing oneÂself in music, beholdÂing art—has [sic] a direct influÂence upon health and life expectanÂcy.”
NevÂer mind that Kant and Burke thought of the subÂlime and the beauÂtiÂful as two very difÂferÂent things. Whether we become totalÂly overÂwhelmed by, or just find deep appreÂciÂaÂtion in an aesÂthetÂic expeÂriÂence, the emoÂtions proÂduced “might be just as saluÂbriÂous as hitÂting the gym,” writes HyperÂalÂlerÂgic. That may seem a crude way of thinkÂing about the spirÂiÂtuÂal and emoÂtionÂal grandeur of the subÂlime, but it brings our physÂiÂcal being into the disÂcusÂsion in ways many philosoÂphers have neglectÂed. GrantÂed, the researchers themÂselves admit the causal link is uncerÂtain: it might be betÂter health that leads to more expeÂriÂences of awe, and not the othÂer way around. But cerÂtainÂly no harm—and a great deal of good—can come from conÂductÂing the experÂiÂment on yourÂself. Read an abstract (or purÂchase a copy) of the BerkeÂley team’s artiÂcle here, and learn more about their work with the UniÂverÂsiÂty’s Greater Good SciÂence CenÂter, which aims to “sponÂsor groundÂbreakÂing sciÂenÂtifÂic research into social and emoÂtionÂal well-being.”
RelatÂed ConÂtent:
This Is Your Brain on Jane Austen: The NeuÂroÂscience of ReadÂing Great LitÂerÂaÂture
Free GuidÂed MedÂiÂtaÂtions From UCLA: Boost Your AwareÂness & Ease Your Stress
Josh Jones is a writer and musiÂcian based in Durham, NC. FolÂlow him at @jdmagness
What is art?
If you have to ask, you’ll nevÂer know.
My MothÂer is the most origÂiÂnal artist I have ever met I am helpÂing her to have her work disÂcovÂered she is a amazÂing women born in SweÂden in the 1930 s her life and art is influÂenced by an era that few of us could imagÂine. An ArtÂsist, A Pianist and a world travÂelÂer. Enjoy https://youtu.be/HSPpFq31kNI
Art is art and we know nothÂing more of it.
It’s funÂny that this was the paintÂing choÂsen, since it was a promiÂnent paintÂing in the earÂly GerÂman RomanÂtic style, whose rise was in philoÂsophÂiÂcal juxÂtaÂpoÂsiÂtion with EnlightÂenÂment prinÂciÂples, which Kant was a major part of.