When peoÂple talk about “indeÂpenÂdent cinÂeÂma” today, they seem, as often as not, to talk about a senÂsiÂbilÂiÂty — we all know, on some levÂel, what someÂone means when they tell us they “like indie films.” But the term has its roots, of course, not necÂesÂsarÂiÂly in indeÂpenÂdence of spirÂit, but in indeÂpenÂdence from sysÂtems. Now that techÂnolÂoÂgy has grantÂed all of us the abilÂiÂty, at least in theÂoÂry, to make any movie we want, this disÂtincÂtion has lost some of its meanÂing, but between about twenÂty and eighty years ago, the comÂmerÂcial estabÂlishÂments conÂtrolÂling proÂducÂtion, disÂtriÂbÂuÂtion, and screenÂing enjoyed their greatÂest solidÂiÂty (and indeed, impenÂeÂtraÂbilÂiÂty). DurÂing that time, makÂing a film indeÂpenÂdentÂly meant makÂing a fairÂly speÂcifÂic, often anti-HolÂlyÂwood stateÂment. But what about before then, when the mediÂum of cinÂeÂma itself had yet to take its full shape?
Not only does 1913’s The StuÂdent of Prague offer an enterÂtainÂing examÂple of indeÂpenÂdent film from an era before even HolÂlyÂwood had become HolÂlyÂwood, it has a place in hisÂtoÂry as the first indeÂpenÂdent film ever released. GerÂman writer Hanns Heinz Ewers and DanÂish direcÂtor StelÂlan Rye (not to menÂtion star Paul WegenÂer, he of the Golem trilÂoÂgy) colÂlabÂoÂratÂed to bring to earÂly cinÂeÂmatÂic life this 19th-cenÂtuÂry horÂror stoÂry of the titÂuÂlar stuÂdent, a down-at-the-heels bon vivant who, besotÂted with a countÂess and deterÂmined to win her by any means necÂesÂsary, makes a deal with a devÂilÂish sorÂcerÂer that will fulÂfill his every desire. The catch? He sumÂmons the stuÂdenÂt’s reflecÂtion out of the mirÂror and into realÂiÂty. So empowÂered, this dopÂpelÂgänger goes around wreakÂing havÂoc. HardÂly the ostenÂsiÂbly high-mindÂed mateÂrÂiÂal of “indie film” — let alone “forÂeign film” — from the past half-cenÂtuÂry or so, but The StuÂdent of Prague treats it with respect, arrivÂing at the kind of uncomÂproÂmisÂing endÂing that might surÂprise even modÂern audiÂences. If you don’t watch it today, keep it bookÂmarked for HalÂloween viewÂing.
You can find The StuÂdent of Prague added to our big film colÂlecÂtion, 4,000+ Free Movies Online: Great ClasÂsics, Indies, Noir, WestÂerns, DocÂuÂmenÂtaries & More.
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ColÂin MarÂshall hosts and proÂduces NoteÂbook on Cities and CulÂture and writes essays on cities, lanÂguage, Asia, and men’s style. He’s at work on a book about Los AngeÂles, A Los AngeÂles Primer. FolÂlow him on TwitÂter at @colinmarshall or on FaceÂbook.
The StuÂdent of Prague is a 1913 GerÂman silent horÂror film. It is looseÂly based on “William … The StuÂdent of Prague is conÂsidÂered to be the first GerÂman art film, and it helped lift cinÂeÂma from its low-class, fairÂground oriÂgins to a viable art form. … AudiÂences flocked to see the film, in part because it tapped into a very real sense .