Whether you hate-watched, love-watched, or ignored last night’s AcadÂeÂmy Awards, you may be tired today of Oscar talk. Take a break, unplug yourÂself from FaceÂbook and TwitÂter, and travÂel with me back in TV time. It’s June 7th, 1969, and The JohnÂny Cash Show makes its debut on ABC, recorded—where else?—at the Grand Ole Opry (“I wouldn’t do it anyÂwhere but here”). FeaÂturÂing Cash ensemÂble regÂuÂlars June Carter, the Carter famÂiÂly, Carl Perkins, the Statler BrothÂers, and the TenÂnessee Three, the musiÂcal variÂety show has a defÂiÂnite showÂbiz feel. Even the openÂing credÂits give this impresÂsion, with a decidÂedÂly kitschy big band renÂdiÂtion of “FolÂsom Prison Blues.” This seems a far cry from the defiÂant JohnÂny Cash who gave the world the finÂger in a phoÂto takÂen that same year durÂing his San Quentin gig (where inmate MerÂle HagÂgard sat in attenÂdance).
But showÂbiz JohnÂny Cash is still every inch the man in black, with his rough edges and refined musiÂcal tastes (in fact, Cash debuted the song “Man in Black” on a latÂer episode). As daughÂter Rosanne showed us, Cash was a musiÂcolÂoÂgist of essenÂtial AmerÂiÂcana. His choice of musiÂcal guests for his debut program—Bob Dylan, Joni Mitchell, and Cajun fidÂdler Doug KerÂshaw—makes plain Cash’s love for folk songcraft. The appearÂance on the Cash show was Kershaw’s big break (two months latÂer his “Louisiana Man” became the first song broadÂcast from the moon by the ApolÂlo 12 astroÂnauts). Mitchell, who plays “Both Sides Now” from her celÂeÂbratÂed secÂond album Clouds, was already a risÂing star. And Dylan was, well, Dylan. Even if all you know of JohnÂny Cash comes from the 2005 film Walk the Line, you’ll know he was a huge Dylan admirÂer. In the year The JohnÂny Cash Show debuted, the pair recordÂed over a dozen songs togethÂer, one of which, “Girl from the North CounÂtry,” appeared on Dylan’s counÂtry album Nashville SkyÂline. They play the song togethÂer, and Dylan plays that album’s “I Threw it All Away,” one of my all-time favorites.
IniÂtialÂly billed as “a liveÂly new way to enjoy the sumÂmer!” The JohnÂny Cash Show had a someÂwhat rocky two-year run, occaÂsionÂalÂly runÂning afoul of nerÂvous netÂwork execÂuÂtives when, for examÂple, Cash refused to cenÂsor the word “stoned” from Kris Kristofferson’s “SunÂday MornÂing ComÂing Down” and brought on Pete Seeger, despite the furor his anti-war views caused elseÂwhere. Ever the iconÂoÂclast, Cash was also ever the conÂsumÂmate enterÂtainÂer. After watchÂing the first episode of his show, you might agree that Cash and friends could have carÂried the hour even withÂout his famous guests. Cash opens with a spirÂitÂed “Ring of Fire” and also plays “FolÂsom Prison Blues,” “The Wall,” and “GreyÂstone Chapel.” And above, watch JohnÂny and June sing a sweet duet of Dylan’s “It Ain’t Me Babe.”
RelatÂed ConÂtent:
The 1969 Bob Dylan-JohnÂny Cash SesÂsions: Twelve Rare RecordÂings
JohnÂny Cash: Singer, OutÂlaw, and, Briefly, TeleÂviÂsion Host
JohnÂny Cash Sings “Man in Black” for the First Time, 1971
Josh Jones is a writer and musiÂcian based in Durham, NC. FolÂlow him at @jdmagness
i realÂly needÂed this!!!
ExcelÂlent comÂmenÂtary on the JC show, easÂiÂly surÂpassÂing the basic info you find elseÂwhere online. One corÂrecÂtion, howÂevÂer: the artiÂcle implies that MerÂle HagÂgard was incarÂcerÂatÂed and in the audiÂence at San Quentin when Cash cut the 1969 hit San Quentin live album. HagÂgard had long been a free man by then and, of course, had already made major strides in his music career; the Cash perÂforÂmance he’d witÂnessed and been inspired by was Cash’s first-ever prison show, held at San Quentin on New Year’s Day of 1958. Here’s a link on this from history.com.
http://www.history.com/this-day-in-history/inmate-merle-haggard-hears-johnny-cash-play-san-quentin-state-prison