Think about the actors and direcÂtors who stood as pilÂlars of the 1990s “indiewood” moveÂment, and the disÂtincÂtive images of Quentin TaranÂtiÂno and Steve BusceÂmi will sureÂly cross your mind. Both delivÂered much of interÂest in that cinÂeÂmatÂiÂcalÂly fruitÂful decade. BusceÂmi, whom Roger Ebert deemed “the house act of AmerÂiÂcan indeÂpenÂdent films,” played highÂly memÂoÂrable roles in movies like AlexanÂdre RockÂwell’s In the Soup, Tom DiCilÂlo’s LivÂing in OblivÂion, and the Coen brothÂers’ FarÂgo and The Big LebowsÂki. TaranÂtiÂno directÂed three feaÂtures that need no introÂducÂtion, the first of which, 1991’s ReserÂvoir Dogs, brought them togethÂer. In the clip above, you can watch TaranÂtiÂno and Buscemi’s videoÂtaped rehearsal sesÂsions, whereÂin, among othÂer things, they work out their respecÂtive charÂacÂters, the would-be diaÂmond thieves Mr. Brown and Mr. Pink.
Before ReserÂvoir Dogs, TaranÂtiÂno had attemptÂed only the incomÂplete My Best Friend’s BirthÂday. Before shootÂing what would become his first finÂished movie for real, he put togethÂer mock-ups of these scenes at the SunÂdance InstiÂtute DirecÂtor’s WorkÂshop and Lab, which then subÂjectÂed them to frank evalÂuÂaÂtions from a rotatÂing panÂel of vetÂerÂan filmÂmakÂers. As much as we enjoy his actÂing, let’s not forÂget his own conÂtriÂbuÂtions as a direcÂtor; his 1996 debut Trees Lounge, in which he also stars, easÂiÂly ranks among the finest prodÂucts of that era’s indeÂpenÂdent cinÂeÂma. And as for TaranÂtiÂno’s own subÂseÂquent forÂays into actÂing… well, nobody can argue that they don’t enterÂtain.
via BibÂliokÂlept
RelatÂed ConÂtent:
My Best Friend’s BirthÂday, Quentin Tarantino’s 1987 Debut Film
ColÂin MarÂshall hosts and proÂduces NoteÂbook on Cities and CulÂture and writes essays on cities, Asia, film, litÂerÂaÂture, and aesÂthetÂics. He’s at work on a book about Los AngeÂles, A Los AngeÂles Primer. FolÂlow him on TwitÂter at @colinmarshall or on his brand new FaceÂbook page.
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