They make an unlikely duo—the onetime lead singer of the hardest-partying rock band in the world and the soft-voiced contemporary bluegrass singer and fiddler. And yet somehow, the pairing of Robert Plant and Alison Krauss makes perfect sense, if not on paper then certainly on the stage and in the studio. They’ve been collaborating for years and won five Grammies for their 2007 album Raising Sand, which appeared on some of the most prominent critical best-of lists that year. And Plant has gone on record saying that his work with Krauss permanently altered his musical direction and helped him reconnect with his own English country music background.
Both Krauss and Plant get to explore several American roots avenues in Raising Sand, an album of songs by such luminaries as Sam Philips, the Everly Brothers, Townes Van Zandt, and Doc Watson. But in the videos above, the pair—backed by a country band—mosey through two old Led Zeppelin songs renowned for their thunderous loudness and sweeping guitars. “Black Dog” (original here) begins with Jimmy Page’s unmistakable intro riff picked out on a banjo while Plant goofs around and attempts a two-step. It feels like we’re in for a novelty act, but when the two start singing harmonies, the strength of their musical bond is immediately apparent, even in what some might consider a butchering of an iconic tune. Krauss takes the lead vocal in “When the Levee Breaks” (original here) while Plant hangs back and strums a guitar. She turns the song into straight country, and mostly sells it, save the band’s thin, uninspired instrumental breakdowns and guitar solos that only vaguely recall the original. All-in-all it’s an interesting experiment in genre transposition, though I think we’re lucky to have been spared an album of Plant and Krauss re-inventing classic Zeppelin as contemporary Americana.
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Josh Jones is a writer and musician based in Durham, NC. Follow him at @jdmagness
Thanks. I heard these for the first time today. Wow. As probability equates perfection to the number 1, so do I with Alison Krauss. Any number multiplied by her would equal itself, only better. Pair her with anyone, from ABBA to ZZ TOP, and the sound is going to appeal to your inner ear. If you read this but have not listened to the videos, please, stop what you are doing, go straight to the second video and put your finger on the triangular button that equates to “play.”
And don’t it make you feel bad when you’re trying to find your way home and don’t know which way to go…?”
Delightful… enticing… splendid…resplendent. All of the synonyms I can think of for the beauty of her voice, in my mind, does not do it justice, so I will just write her name again. Alison Krauss.
it’s NOT COUNTRY!!! Bluegrass, folk, Americana — not country!
Sorry, I just realized I sound like the bar owner in the Blues Brothers who said “we got both kinds, country and western!”
So, nevermind. :D
(But I’m still not calling it country!)
That was blues based Rock and Roll.
Not country.
” She turns the song into straight country, and mostly sells it, save the band’s thin, uninspired instrumental breakdowns and guitar solos that only vaguely recall the original.”
I’m astounded by the ignorance displayed in this sentence. Wow.