I’ve nevÂer gone near Las Vegas’ CaeÂsars Palace. The very idea of a gamÂbling comÂplex of such labyrinthine vastÂness, slick luxÂuÂry, and relÂaÂtiveÂly recent construction—especially givÂen the ancient-Rome simÂuÂlacrum it goes for here and there—frightens me. Then again, so does the idea of Las Vegas itself; I’ve nevÂer gone near the city either. PerÂhaps you feel the same way. The video above promisÂes, by leadÂing us straight into the belÂly of the beast, to alleÂviÂate such fears. Not only does it offer a view of the milder, someÂwhat less audioÂviÂsuÂalÂly aggresÂsive casiÂno of 1978 (though the era’s colÂlars, lapels, and hairÂstyles comÂpenÂsate with an aggresÂsion of their own), it explains such popÂuÂlar games of chance as bacÂcarat, craps, blackÂjack, roulette, and Keno. Give the CaeÂsars Guide to GamÂing with Orson Welles this: it cerÂtainÂly picks a strikÂing VirÂgil.
“I’ve been asked by CaeÂsars Palace to tell you a litÂtle about gamÂing,” Welles says. “I guess they’ve asked me because I know a litÂtle about cards, a litÂtle about hisÂtoÂry, and, well, because I’ve been known to take a long shot or two.” And indeed, he pepÂpers his lessons on betÂting with anecÂdotes about PoseiÂdon, Zeus, shield-spinÂning Greek solÂdiers, and the primÂiÂtive bone-tossÂing games of ancient man. The CaeÂsars Guide to GamÂing with Orson Welles appeared five years after F for Fake, Welles’ final theÂatriÂcal feaÂture. I need hardÂly highÂlight the fact that F for Fake this ain’t, nor Welles’ abunÂdance of awkÂward late-career projects and appearÂances. Still, you’ll learn a great deal more from it that you will from playÂing that frozen peas comÂmerÂcial recordÂing sesÂsion one more time.
via MetafilÂter
RelatÂed ConÂtent:
Watch Orson Welles’ The Stranger Free Online, Where 1940s Film Noir Meets Real HorÂrors of WWII
Orson Welles NarÂrates Plato’s Cave AlleÂgoÂry, Kafka’s ParaÂble, and FreeÂdom RivÂer
Orson Welles’ Last InterÂview and Final Moments CapÂtured on Film
ColÂin MarÂshall hosts and proÂduces NoteÂbook on Cities and CulÂture and writes essays on litÂerÂaÂture, film, cities, Asia, and aesÂthetÂics. He’s at work on a book about Los AngeÂles, A Los AngeÂles Primer. FolÂlow him on TwitÂter at @colinmarshall.
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