Charlie Parker Plays with Dizzy Gillespie in the Only Footage Capturing the “Bird” in True Live Performance

Here’s a his­toric TV broad­cast of the found­ing fathers of bebop, Char­lie Park­er and Dizzy Gille­spie, play­ing togeth­er in 1952. It’s one of only two known sound films of Park­er playing–and the only one of him play­ing live, rather than synch­ing to a pre­re­cord­ed track.

The per­for­mance is from a Feb­ru­ary 24, 1952 broad­cast on the pio­neer­ing DuMont Tele­vi­sion Net­work. The full seg­ment begins with a brief cer­e­mo­ny in which Park­er and Gille­spie receive awards from Down Beat mag­a­zine, but the clip above cuts straight to the music: a per­for­mance of the bebop stan­dard “Hot House,” com­posed by Tad Dameron around the har­mon­ic struc­ture of Cole Porter’s “What Is This Thing Called Love?.”

The quin­tet includes Park­er on alto sax­o­phone, Gille­spie on trum­pet, Sandy Block on bass, Char­lie Smith on drums and Dick Hyman on piano.

It was Hyman, who had played with Park­er and had his own night­ly show on the DuMont net­work, who helped orga­nize the appear­ance. In a 2010 inter­view with Jazz­Wax, Hyman talked about what it was like play­ing on the show with Park­er and Gille­spie. “It was togeth­er,” he said. “Those guys played with such a good time and feel. It’s a ter­rif­ic per­for­mance con­sid­er­ing it was a pop show with just two cam­eras.”

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

Jean-Paul Sartre on How Amer­i­can Jazz Lets You Expe­ri­ence Exis­ten­tial­ist Free­dom & Tran­scen­dence

The Nazis’ 10 Con­trol-Freak Rules for Jazz Per­form­ers: A Strange List from World War II

Mis­ter Rogers Turns Kids On to Jazz with Help of a Young Wyn­ton Marsalis and Oth­er Jazz Leg­ends (1986)

Jazz ‘Hot’: The Rare 1938 Short Film With Jazz Leg­end Djan­go Rein­hardt


by | Permalink | Comments (11) |

Sup­port Open Cul­ture

We’re hop­ing to rely on our loy­al read­ers rather than errat­ic ads. To sup­port Open Cul­ture’s edu­ca­tion­al mis­sion, please con­sid­er mak­ing a dona­tion. We accept Pay­Pal, Ven­mo (@openculture), Patre­on and Cryp­to! Please find all options here. We thank you!


Comments (11)
You can skip to the end and leave a response. Pinging is currently not allowed.
  • What trea­sure you have unearthed. Such aplomb and cre­ative flow. One thins though, sure­ly that’s Max Roach on drums? Or is Char­lie Smith just a pseu­do­nym?

    • Mike Springer says:

      Hi Bri­an,
      All the sources I found list the drum­mer as Char­lie Smith, includ­ing the Jazz­Wax inter­view that I link to in the last para­graph, in which pianist Dick Hyman says, “We engaged drum­mer Char­lie Smith for that show and Sandy Block was on bass.” Here’s a pho­to of Smith from about 1955. Looks like the same guy.
      Mike

  • Etienne says:

    My father was only one year old when this was record­ed. Yet, this is tru­ly mod­ern music, 61 years lat­er. Amaz­ing. Impro­vis­ing is rather easy if you know your instru­ment and you have ears. This is not impro­vis­ing but play­ing a thight com­po­si­tion to the milisec­ond. That dis­ci­pline cre­ates mag­ic. Wow.

  • stefano doglioni says:

    thanks for hav­ing dis­cov­ered hot water

  • bert says:

    Won­der­full video,
    great music

  • Sunnyboy says:

    Char­lie Smith is left hand­ed, I believe Max Roach is right hand­ed. That music feels good.

  • Gladys (Smith) Brown says:

    That IS Char­lie Smith on drums! He is my broth­er; father to Jeanette (Smith) Veney and son of Thomas P. and Gladys V Smith. He was left hand­ed. His last (so far known to me) record­ing was the Cat­bird Seat with Mitchell Ruff Duo. Charles was always in the stu­dio record­ing! A con­sum­mate side­man! If you love jazz, lis­ten to some of his oth­er record­ings; you’ll find him in the lin­er notes.

  • john de leone says:

    Char­lie ( charles ) smith was my drum teacher in New Haven CT in the 60s.I was sent to be taught by him by my for­mer teacher Jim Stavris. JIM said that Charles would be per­fect for me. He was right.Charles was sen­sa­tion­al.

  • Fernbacher says:

    Isn’t that actu­al­ly Knuck­les O’Toole on the piano?

  • Dave Charles says:

    I had the plea­sure of play­ing with Sandy Block at the Tami­ment resort in the Poconos.

  • mischa says:

    Dear Mike,

    I found the video and your expla­na­tion on YT. I have a ques­tion, though: Was this part of Earl Wilsons show “Stage Entrance”, which he host­ed on mon­days 8pm in 1951 dn 1952? Then the broad­cast date should have been Feb 25. If not: Could you enlight­en me in which pro­gram this was includ­ed?

    Just in case: I am a his­to­ri­an work­ing on sub­ver­sive aspects of music in the 20th cen­tu­ry, and I am try­ing to get my sources right…

    Thanks in advance, best wish­es

    mis­cha.

Leave a Reply

Quantcast
Open Culture was founded by Dan Colman.