In earÂly 1964 Charles MinÂgus put togethÂer one of the great comÂbos in jazz hisÂtoÂry. The sexÂtet was comÂposed of MinÂgus on bass, DanÂnie RichÂmond on drums, Jaki Byard on piano, JohnÂny Coles on trumÂpet, ClifÂford JorÂdan on tenor saxÂoÂphone and the extraÂorÂdiÂnary mulÂti-instruÂmenÂtalÂist Eric DolÂphy on alto saxÂoÂphone, flute and bass clarÂinet. MinÂgus called his experÂiÂmenÂtal group The Jazz WorkÂshop.
In April of that year MinÂgus and his band embarked on a three-week tour of Europe, much of which is recordÂed on film and audioÂtape. The tour is rememÂbered as one of the high-water marks in MinÂgus’s career. As Rob BowÂman writes in the linÂer notes to the Jazz Icons DVD Charles MinÂgus Live in ’64:
The tour effecÂtiveÂly introÂduced two new comÂpoÂsiÂtions, “MedÂiÂtaÂtions On InteÂgraÂtion” and “So Long Eric”, while the band walked a fine line between MinÂgus’s usuÂal amalÂgam of bop, swing and New Orleans jazz and the free-jazz leanÂings of the catÂaÂclysmic DolÂphy. The result, of course, was someÂthing that could only be called MinÂgus Music–a galÂvaÂnizÂing, high-enerÂgy sonÂic stew that, while the prodÂuct of the kinetÂic interÂplay of six musiÂcians, could only have been conÂjured up with MinÂgus as the masÂter of cerÂeÂmonies.
The perÂforÂmance above is from Charles MinÂgus Live in ’64. It was recordÂed by BelÂgian teleÂviÂsion on SunÂday, April 19, 1964 at the Palais des ConÂgrĂ©s in Liège, BelÂgium. The band had unexÂpectÂedÂly been reduced to a quinÂtet two nights earÂliÂer, when Coles colÂlapsed onstage in Paris and was rushed to the hosÂpiÂtal with what was latÂer diagÂnosed as an ulcer. In the BelÂgian TV broadÂcast, pianist Byard makes up for the missÂing trumÂpet parts as the band plays three MinÂgus comÂpoÂsiÂtions:
- So Long Eric
- PegÂgy’s Blue SkyÂlight
- MedÂiÂtaÂtions on InteÂgraÂtion
“So Long Eric” was named in honÂor of DolÂphy, who had announced before the band left AmerÂiÂca that he would remain in Europe when the tour was over. SadÂly, DolÂphy fell into a diaÂbetÂic coma in GerÂmany and died just two months after finÂishÂing the tour. MinÂgus would latÂer call the song “PrayÂing With Eric.”
RelatÂed conÂtent:
Charles MinÂgus and His EvicÂtion From His New York City Loft, CapÂtured in MovÂing 1968 Film
How to PotÂty Train Your Cat: A Handy ManÂuÂal by Charles MinÂgus
Superb! PerÂfect ElecÂtion Day music… Thanks.
That was superb, thanks! The interÂplay between the musiÂcians and MinÂgus’s smiles and looks at RichÂmond are a joy.
This feels so good.
““So Long Eric” was origÂiÂnalÂly called “GoodÂbye Pork Pie Hat,” but MinÂgus renamed the tune in honÂor of DolÂphy”…
That’s wrong. “So Long Eric” is a difÂferÂent tune. It’s a blues. “GoodÂbye Pork Pie Hat” was writÂten after Lester Young died and is also someÂtimes called “Theme for Lester Young.”
You’re right, Scott. That was a stuÂpid error. “So Long Eric” was misidenÂtiÂfied as “GoodÂbye Pork Pie Hat” in the origÂiÂnal verÂsion of the live album The Great ConÂcert of Charles MinÂgus, which I underÂstand was recordÂed in Paris earÂliÂer on the same day as the BelÂgian TV broadÂcast. I guess I saw refÂerÂences to that and, in my haste…
The text has been corÂrectÂed. Thank you for pointÂing out the probÂlem.