The great blueÂgrass banÂjo playÂer Earl ScrugÂgs died WednesÂday at the age of 88. ShortÂly afterÂward, Steve MarÂtin sent out a tweet callÂing ScrugÂgs the most imporÂtant banÂjo playÂer who ever lived. “Few playÂers have changed the way we hear an instruÂment the way Earl has,” wrote MarÂtin earÂliÂer this year in The New YorkÂer, “putting him in a catÂeÂgoÂry with Miles Davis, Louis ArmÂstrong, Chet Atkins, and Jimi HenÂdrix.”
MarÂtin writes of ScrugÂgs:
Some nights he had the stars of North CarÂoliÂna shootÂing from his finÂgerÂtips. Before him, no one had ever played the banÂjo like he did. After him, everyÂone played the banÂjo like he did, or at least tried. In 1945, when he first stood on the stage at the Ryman AudiÂtoÂriÂum in Nashville and played banÂjo the way no one had heard before, the audiÂence respondÂed with shouts, whoops, and ovaÂtions. He perÂformed tunes he wrote as well as songs they knew, with clarÂiÂty and speed like no one could imagÂine, except him. When the singer came to the end of a phrase, he filled the theÂatre with sparkling runs of notes that became a sigÂnaÂture for all blueÂgrass music since. He wore a suit and a StetÂson hat, and when he played he smiled at the audiÂence like what he was doing was effortÂless. There aren’t many earthÂquakes in TenÂnessee, but that night there was.
You can conÂtinÂue readÂing the essay at The New YorkÂer WebÂsite.
In NovemÂber of 2001 MarÂtin had the opporÂtuÂniÂty to play the banÂjo alongÂside his hero on the David LetÂterÂman show. (See above.) They played ScrugÂgs’s clasÂsic, “FogÂgy MounÂtain BreakÂdown,” with ScrugÂgs’s sons Randy on acoustic guiÂtar and Gary on HarÂmonÂiÂca, and a stelÂlar group that includÂed Vince Gill and Albert lee on elecÂtric guiÂtar, MarÂty StewÂart on manÂdolin, Glen DunÂcan on fidÂdle, JerÂry DouÂglas on Dobro, Glenn Wolf on bass, HarÂry StinÂson on drums, Leon RusÂsell on organ and Paul ShafÂfer on piano.
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