The Cinemagraph: A Haunting Photo/Video Hybrid

As gim­micks go, the mov­ing GIF is almost as old as the inter­net itself. But artists Jamie Beck and Kevin Berg have tak­en their ani­mat­ed pho­tographs, or “cin­ema­graphs,” as Beck calls them, far beyond the orig­i­nal gim­mick. While some of their images tend towards kitsch, fea­tur­ing clich­es like long hair rustling in the breeze, or wine pour­ing from a bot­tle, the duo (see a col­lec­tion of their pho­tos here) has also pro­duced sev­er­al shots of star­tling beau­ty: A sin­gle news­pa­per page rus­tles in a frozen park. The reflec­tion of a taxi­cab glides like a ghost across a win­dow. A beau­ti­ful woman sud­den­ly seems to catch you star­ing at her. The effect is pure para­noia, like ear­ly Polan­s­ki, or a morn­ing walk on no sleep.

So is the cin­ema­graph the future of pho­tog­ra­phy, or just a neat trick? You can join that debate over at flickr.

Thanks to Eric Strenger and @eugenephoto for the tip.

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly.


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Comments (8)
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  • Trudy says:

    This is pret­ty clever. I real­ly like it. I like this image as a still image already so the added effect is cool.

  • Hmm, I won­der what kind of effect they applied, and how. It feels like unnat­ur­al bokeh, cre­at­ing an almost tilt-shift look. There’s not much con­trast. And then there is some kind of col­or change aswell, the shad­ows are blueish-green and the high­lights are red­dish-yel­low. If I would do it, I would use Alien­Skin Bokeh and Adobe Light­room with Pho­tolooks. But I’m a real begin­ner, so I have no idea. What­ev­er works though, right?

    As for the woman men­tioned in the text, I can­not for the life of me see any woman at all in this image. But then I can­not see 3D-images either. Depth per­cep­tion was nev­er my strong suit.

    • Kamala says:

      @ Robin — that is because the taxi, the woman and the news­pa­per are all in sep­a­rate pic­tures; only the taxi is illus­trat­ed above. To see the oth­er pic­tures, you need to click the link.

      I find it inter­est­ing that in the bar­ber shop pic in the link, there is a reflec­tion of the twirling blue and red cylin­der (a reflec­tion of the main effect) inside the shop on the upper left hand side. It’s quite sub­tle and I almost missed it!

  • Frank says:

    After Effects

  • Steve Marsel says:

    Here’s my con­tri­bu­tion, my first use of this tech­nique http://www.stevemarselstudio.com/blog

  • ML says:

    This tech­nique isn’t new. At least five years ago, one pho­tog­ra­pher’s web­site fea­tured pho­tographs of ceme­ter­ies, church­es, and stone angels.

    At one point, crows would fly past in the dis­tance, or the angels would sud­den­ly open their eyes to stare at you. I remem­ber them being very freaky and beau­ti­ful simul­ta­ne­ous­ly.

    Any­one come across this site or these images… would love to browse them again?

  • Erik Brand says:

    Total rip off of what this has has been doing for a while. http://iwdrm.tumblr.com/

  • Manoj says:

    I am in love with this idea. Here is my first try out. Will be glad to know what you think: http://bit.ly/rhHt4V

  • I real­ly like cre­ative use and sub­tle­ty of DSLR pho­tog­ra­phy and move­ment.

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