Joni Mitchell’s Catalog of Albums Now on YouTube: Stream Them Online

2022 — anoth­er dif­fi­cult year for so many — has drawn to a close.

While not a rem­e­dy for all the hard­ships and pri­va­tions we’ve been privy to, Joni Mitchell’s music remains good med­i­cine. Lis­ten­ing to her always makes us feel more con­nect­ed, reflec­tive and calm for at least an hour or two.

Lucky us. The beloved singer-song­writer has giv­en us a New Year’s gift — all her albums post­ed to her offi­cial Youtube chan­nel.

What a love­ly way to ush­er the old year off­stage, and qui­et­ly wel­come the new.

We all have our alle­giances, though many who iden­ti­fy as fans may dis­cov­er they’ve missed a cou­ple releas­es along the way.

She has, to date, released 19 stu­dio albums, 5 live albums, and an EP, as well as inspir­ing 2 trib­ute albums. A recent remark on Elton John’s Rock­et Hour left us hope­ful that more may be in the off­ing.

Sir Elton is but one of many well known musi­cians who are unabashed Mitchell fans. Artists as diverse as Har­ry Styles, k.d. lang, and Her­bie Han­cock have writ­ten songs in response to their favorite Joni cuts.

And the inter­net teems with cov­ers from both heavy hit­ters and unknowns. (See them orga­nized by song title on Mitchel­l’s web­site, where “Both Sides Now” remains the champ with a whop­ping 1576 ren­di­tions.)

Her fourth album, 1971’s Blue, seems to gar­ner the most fer­vent praise…

Tay­lor Swift: She wrote it about her deep­est pains and most haunt­ing demons. Songs like ‘Riv­er,’ which is just about her regrets and doubts of her­self – I think this album is my favorite because it explores some­body’s soul so deeply.”

James Tay­lor:  I said it prob­a­bly too many times that Joni is like, you tap the tree, and you know, it’s like maple syrup. This stuff, this nec­tar comes out of the most unusu­al places.

Jew­el: On Blue, you hear every­thing she expe­ri­enced, the highs and the lows. It’s such a lone­ly album — not in the “I don’t have any friends” sense but in the sense that you’re a lit­tle bit removed, and always watch­ing. It takes a lot of courage to be that hon­est, espe­cial­ly as a woman. 

Prince on The Hiss­ing of Sum­mer Lawns:

It was the last album I loved all the way through.

Boy George on Court and Spark:

I’ve bought this for many peo­ple because it is prob­a­bly her most acces­si­ble [album]. I love unusu­al voic­es and I’ve sat and cried to so many of her songs. My favorite is Car On A Hill because I’ve done what it’s about: wait­ed for the boyfriend to turn up as the cars go by.

Björk on 1977’s dou­ble album, Don Juan’s Reck­less Daugh­ter and Heji­ra:

I think it was that acci­den­tal thing in Ice­land, where the wrong albums arrive to shore, because I was obsessed with Don Juan’s Reck­less Daugh­ter and Heji­ra as a teenag­er. I hear much more of her in those albums. She almost made her own type of music style with those, it’s more a wom­an’s world.”

Sis­ters Danielle and Este Haim on 1974’s live album Miles of Aisles:

There’s a lit­tle bit of every­thing. Songs from all her albums up until then, and she’s play­ing them with the L.A. Express, which was this amaz­ing jazz band… a reimag­in­ing of a lot of her ear­ly work through this jazz lens.

Enjoy a love­ly wan­der through Joni Mitchell’s oeu­vre here. When you click on this page, scroll down to the “Albums & Sin­gles” sec­tion, and then move (from left to right) through the entire discog­ra­phy.

Relat­ed Con­tent 

Joni Mitchell Tells Elton John the Sto­ries Behind Her Icon­ic Songs: “Both Sides Now,” “Carey” & More

Watch the Full Set of Joni Mitchell’s Amaz­ing Come­back Per­for­mance at the New­port Folk Fes­ti­val

Songs by Joni Mitchell Re-Imag­ined as Pulp Fic­tion Book Cov­ers & Vin­tage Movie Posters

Hear Demos & Out­takes of Joni Mitchell’s Blue on the 50th Anniver­sary of the Clas­sic Album

How Joni Mitchell Learned to Play Gui­tar Again After a 2015 Brain Aneurysm–and Made It Back to the New­port Folk Fes­ti­val

How Joni Mitchell Wrote “Wood­stock,” the Song that Defined the Leg­endary Music Fes­ti­val, Even Though She Wasn’t There (1969)

- Ayun Hal­l­i­day is the Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine and author, most recent­ly, of Cre­ative, Not Famous: The Small Pota­to Man­i­festo.  Fol­low her @AyunHalliday.

“Weird Al” Yankovic Breaks Down His Most Iconic Tracks: “Eat It,” “Amish Paradise,” “White and Nerdy,” and His Other Hilarious Songs

Few things could have been more amus­ing to a twelve-year-old in 1996 than an Amish-themed par­o­dy of the late Coo­lio’s por­ten­tous­ly grim life-in-the-hood anthem “Gangsta’s Par­adise.” As luck would have it, “Weird Al” Yankovic released just such a song in 1996, when I hap­pened to be twelve years old myself. Like every­one who’s been a kid at some point in the past 40 years, I grew up hear­ing and appre­ci­at­ing Yankovic’s pro­lif­ic out­put of par­o­dies, pas­tich­es, and even orig­i­nal songs. From “Eat It” to “Smells like Nir­vana” to “White and Nerdy,” there was hard­ly a pop-music phase of my child­hood, ado­les­cence, and ear­ly adult­hood that he did­n’t make fun­ny.

That’s to make fun­ny, as dis­tinct from to make fun of: unlike that of a pre­de­ces­sor in com­e­dy song­writ­ing like Tom Lehrer, Yankovic’s body of work evi­dences not the least ten­den­cy toward harsh­ness or ridicule.

Hence his appeal from his very first record­ing “My Bol­og­o­na,” an accor­dion-based par­o­dy of “My Sharona” record­ed in the bath­room of his col­lege radio sta­tion, to no less an advo­cate of silli­ness than Dr. Demen­to, whose air­play launched the young Weird Al’s career — a career that, as Yankovic acknowl­edges while telling the sto­ries behind his icon­ic songs in the GQ video above, has not gone with­out its strokes of luck.

Yet few liv­ing per­form­ers more clear­ly per­son­i­fy the old apho­rism describ­ing luck as the meet­ing of prepa­ra­tion and oppor­tu­ni­ty. “Weird Al approach­es the com­po­si­tion of his music with some­thing like the holy pas­sion of Michelan­ge­lo paint­ing the ceil­ing of the Sis­tine Chapel,” writes Sam Ander­son in a 2020 New York Times Mag­a­zine pro­file. See­ing Yankovic’s notes for “White & Nerdy” “file felt like watch­ing a super­com­put­er crunch through pos­si­ble chess moves. Every sin­gle vari­able had to be con­sid­ered, in every sin­gle line.” To work in musi­cal form, even the sil­li­est humor demands his total ded­i­ca­tion.

Yankovic has long showed a will­ing­ness straight­for­ward­ly to dis­cuss what it’s like to be Weird Al, as well as what it takes to be Weird Al. For a con­sid­er­ably less straight­for­ward ver­sion, we can watch The Roku Chan­nel’s new Weird: The Al Yankovic Sto­ry. Most biopics take artis­tic lib­er­ties with the lives of their sub­jects, but Weird goes all the way, par­o­dy­ing the very form of the biopic itself while per­form­ing colos­sal (and sure­ly fan-delight­ing) exag­ger­a­tions of the facts of Yankovic’s life. In the GQ video, for exam­ple, he men­tions get­ting the idea for “Like a Sur­geon” by hear­ing Madon­na throw it out in an inter­view; in the trail­er above, Madon­na turns at the door at his opu­lent man­sion, a ver­i­ta­ble suc­cubus ready to drag him into the musi­cal under­world. And it seems a safe bet that things only get Weird­er there­after.

Relat­ed con­tent:

“Weird Al” Yankovic Releas­es “Word Crimes,” a Gram­mar Nerd Par­o­dy of “Blurred Lines”

Two Leg­ends: Weird Al Yankovic “Inter­views” James Brown (1986)

Dr. Demento’s New Punk Album Fea­tures William Shat­ner Singing The Cramps, Weird Al Yankovic Singing The Ramones & Much More

Mon­ty Python’s Eric Idle Breaks Down His Most Icon­ic Char­ac­ters

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the Sub­stack newslet­ter Books on Cities, the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les and the video series The City in Cin­e­ma. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

The Archives of the Planet: Explore 72,000 Photos Taken a Century Ago to Document Human Cultures Around the World

The world, we often hear, used to be big­ger. Today, if you feel the faintest twinge of curios­i­ty about a dis­tant place — Bei­jing, Paris, Cam­bo­dia, Egypt — you can near-instan­ta­neous­ly call up count­less hours of high-qual­i­ty video footage shot there, and with only a lit­tle more effort even com­mu­ni­cate in real-time with peo­ple actu­al­ly liv­ing there. This may be the case in the ear­ly twen­ty-first cen­tu­ry, but it cer­tain­ly was­n’t in the ear­ly twen­ti­eth. If you’d want­ed to see the world back then, you either had to trav­el it your­self, an expen­sive and even dan­ger­ous propo­si­tion, or else hire a team of expert pho­tog­ra­phers to go forth and cap­ture it for you.

Albert Kahn, a suc­cess­ful French banker and spec­u­la­tor, did both. A few years after mak­ing his own trip around the world, tak­ing stere­o­graph­ic pho­tos and even motion-pic­ture footage along the way, he came up with the idea for a project called Les archives de la planète, or The Archives of the Plan­et.

Direct­ed by the geo­g­ra­ph­er Jean Brun­hes (and influ­enced by the philoso­pher Hen­ri Berg­son, a friend of Kah­n’s), Les archives de la planète spent most of the nine­teen-tens and nine­teen-twen­ties dis­patch­ing pho­tog­ra­phers to var­i­ous ends of the earth on few­er than four con­ti­nents: Europe, Amer­i­ca, Asia, and Africa. And if you click on those links, you can see the pro­jec­t’s pho­tos from the rel­e­vant regions your­self.

Hav­ing been dig­i­tized, the fruits of Les archives de la planète now reside online, at the web site of the Albert Kahn Muse­um. You can browse its col­lec­tion there, or on this image por­tal, where you can view fea­tured pho­tos or access whichev­er part of the world in the ear­ly twen­ti­eth cen­tu­ry you’d like to see. (Just make sure to do it in French.) The online archive con­tains a large chunk of the 72,000 autochrome pic­tures tak­en in 50 coun­tries by Kah­n’s pho­tog­ra­phers before he was wiped out by the stock mar­ket crash of 1929. Made freely avail­able in high res­o­lu­tion a cen­tu­ry after the height of his project, these vivid and evoca­tive pic­tures remind us that, how­ev­er small the world has become, the past remains a for­eign coun­try.

via Art­Net News/Petapix­el

Relat­ed con­tent:

Around the World in 1896: 40 Min­utes of Real Footage Lets You Vis­it Paris, New York, Venice, Rome, Budapest & More

Footage of Cities Around the World in the 1890s: Lon­don, Tokyo, New York, Venice, Moscow & More

Behold the Pho­tographs of John Thom­son, the First West­ern Pho­tog­ra­ph­er to Trav­el Wide­ly Through Chi­na (1870s)

How Vivid­ly Col­orized Pho­tos Helped Intro­duce Japan to the World in the 19th Cen­tu­ry

1850s Japan Comes to Life in 3D, Col­or Pho­tos: See the Stereo­scop­ic Pho­tog­ra­phy of T. Ena­mi

Petite Planète: Dis­cov­er Chris Marker’s Influ­en­tial 1950s Trav­el Pho­to­book Series

Based in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the Sub­stack newslet­ter Books on Cities, the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les and the video series The City in Cin­e­ma. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

How the Ancient Romans Built Their Roads, the Lifelines of Their Vast Empire

At its peak in the sec­ond cen­tu­ry, the Roman Empire dom­i­nat­ed near­ly two mil­lion square miles of the world. As with most such grand achieve­ments, it could­n’t have hap­pened with­out the devel­op­ment of cer­tain tech­nolo­gies. The long reach of the Eter­nal City was made pos­si­ble in large part by the hum­ble tech­nol­o­gy of the road — or at least it looks like a hum­ble tech­nol­o­gy here in the twen­ty-first cen­tu­ry. Roads exist­ed before the Roman Empire, of course, but the Romans built them to new stan­dards of length, capac­i­ty, and dura­bil­i­ty. How they did it so gets explained in the short video above.

On a rep­re­sen­ta­tive stretch of Roman-road-to be, says the nar­ra­tor, a “wide area would be defor­est­ed.” Then “the top­soil would be removed until a sol­id base was found.” Atop that base, work­ers laid down curbs at the width deter­mined by the road plan, then filled the gap between them with a foun­da­tion of large stones.

Atop the large stones went a lay­er of small­er stones mixed with fine aggre­gates, and final­ly the grav­el, sand, and clay that made up the sur­face. All of this was accom­plished with the old-fash­ioned pow­er of man and ani­mal, using tip­per carts to pour out the mate­ri­als and oth­er tools to spread and com­pact them.

Roman road-builders did­n’t just use any old rocks and dirt, but “care­ful­ly select­ed mate­ri­als of the high­est qual­i­ty” — includ­ing for­mi­da­bly long-last­ing Roman con­crete, the secrets of whose stur­di­ness have only been ful­ly under­stood in the past decade. In anoth­er inge­nious design choice recent­ly dis­cov­ered, “ditch­es were placed to pre­vent access to the road from unau­tho­rized vehi­cles,” as well as to widen the periph­er­al view of the road­’s users. In the video just above, civ­il-engi­neer­ing spe­cial­ist Isaac Moreno Gal­lo takes a clos­er look at a sec­tion of a real Roman road being exca­vat­ed where it will inter­sect with a mod­ern high­way under con­struc­tion. The new road will sure­ly stand for a long time to come — but will it inspire fas­ci­na­tion a cou­ple mil­len­nia from now?

Relat­ed con­tent:

The Roman Roads and Bridges You Can Still Trav­el Today

How to Make Roman Con­crete, One of Human Civilization’s Longest-Last­ing Build­ing Mate­ri­als

The First Tran­sit Map: a Close Look at the Sub­way-Style Tab­u­la Peutin­ge­ri­ana of the 5th-Cen­tu­ry Roman Empire

How Did Roman Aque­ducts Work?: The Most Impres­sive Achieve­ment of Ancient Rome’s Infra­struc­ture, Explained

The Roads of Ancient Rome Visu­al­ized in the Style of Mod­ern Sub­way Maps

The Roman Roads of Britain Visu­al­ized as a Sub­way Map

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the Sub­stack newslet­ter Books on Cities, the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les and the video series The City in Cin­e­ma. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

Paul McCartney Explains How Bach Influenced “Blackbird”

If you’re going to steal, steal from the best.

For most of human­i­ty, this might mean nab­bing a lick or two from Paul McCart­ney’s play­book.

For Paul McCart­ney, it meant bor­row­ing from Bach — the fifth move­ment from Suite in E minor for Lute, to be spe­cif­ic.

As he explained dur­ing the above 2005 appear­ance on the Parkin­son Show, when he and his bud­dy, George Har­ri­son, used to sit around teach­ing them­selves basic rock n’ roll chords, their show off move was a bit of semi-clas­si­cal fin­ger­pick­ing that Sir Paul mod­est­ly claimed to be “not very good at:”

It was actu­al­ly clas­si­cal but we made it semi.

Thus­ly did the chord pro­gres­sions of Bach’s Bour­ree in E minor  — a piece which “I nev­er knew the title of, which George and I had learned to play at an ear­ly age; he bet­ter than me actu­al­ly”  — inspire Black­bird:

Part of its struc­ture is a par­tic­u­lar har­mon­ic thing between the melody and the bass line which intrigued me. Bach was always one of our favorite com­posers; we felt we had a lot in com­mon with him. For some rea­son we thought his music was very sim­i­lar to ours and we latched on to him amaz­ing­ly quick­ly. We also liked the sto­ries of him being the church organ­ist and wop­ping this stuff out week­ly, which was rather sim­i­lar to what we were doing. We were very pleased to hear that…The fin­ger­pick­ing style was some­thing we admired in Chet Atkins, par­tic­u­lar­ly in a piece called Tram­bone, though it was also played by Col­in Man­ley, from a group called The Remo Four. They’d start­ed out in Liv­er­pool around the same time as The Bea­t­les.

This decep­tive­ly slow burn, now a sta­ple of Sir Paul’s setlists, debuted as a solo acoustic track on the White Album.

Bach’s Bour­ree in E minor also inspired Jethro Tull and, hilar­i­ous­ly, Tena­cious D.

Relat­ed Con­tent 

Watch Pre­cious­ly Rare Footage of Paul McCart­ney Record­ing “Black­bird” at Abbey Road Stu­dios (1968)

When the Bea­t­les Refused to Play Before Seg­re­gat­ed Audi­ences on Their First U.S. Tour (1964)

The Bea­t­les’ ‘Black­bird’ Sung in the Indige­nous Mi’kmaq Lan­guage

- Ayun Hal­l­i­day is the Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine and author, most recent­ly, of Cre­ative, Not Famous: The Small Pota­to Man­i­festo.  Fol­low her @AyunHalliday.

Miley Cyrus & David Byrne Perform David Bowie’s “Let’s Dance” on New Year’s Eve

Last night, Miley Cyrus and David Byrne per­formed David Bowie’s “Let’s Dance” on the NBC hol­i­day spe­cial Miley’s New Year’s Eve Par­ty. And they also treat­ed view­ers to a per­for­mance of “Everybody’s Com­ing to My House,” from Byrne’s 2018 album Amer­i­can Utopia. Not a bad way to send off 2022.

Before leav­ing 2022 behind, we’ll also flag anoth­er Miley Cyrus collaboration–a per­for­mance from this sum­mer’s cel­e­bra­tion of the life of Tay­lor Hawkins. Below, watch her take the stage with Def Lep­pard and per­form “Pho­to­graph” at the 3:45. No doubt, she can sing.

Hap­py 2023.

Relat­ed Con­tent

How David Byrne and Bri­an Eno Make Music Togeth­er: A Short Doc­u­men­tary

Watch a Very Ner­vous, 23-Year-Old David Byrne and Talk­ing Heads Per­form­ing Live in NYC (1976)

Watch David Byrne Lead a Mas­sive Choir in Singing David Bowie’s “Heroes”

David Byrne’s Grad­u­a­tion Speech Offers Trou­bling and Encour­ag­ing Advice for Stu­dents in the Arts

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Isaac Asimov on How Libraries Can Radically Change Your Life (1971)

Back in 1971, Isaac Asi­mov sent a let­ter to cel­e­brate the open­ing of a new library in Troy, Michi­gan. Thought­ful as always, his let­ter addressed the chil­dren of the Troy com­mu­ni­ty as fol­lows: “Con­grat­u­la­tions on the new library, because it isn’t just a library. It is a space ship that will take you to the far­thest reach­es of the Uni­verse, a time machine that will take you to the far past and the far future, a teacher that knows more than any human being, a friend that will amuse you and con­sole you—and most of all, a gate­way, to a bet­ter and hap­pi­er and more use­ful life.”

In total, 97 writ­ers (includ­ing Dr. Spock, Dr. Seuss and E.B. White) sent let­ters to mark the occa­sion. You can read through them in the Troy Library Flickr stream here.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent

Isaac Asi­mov Laments the “Cult of Igno­rance” in the Unit­ed States (1980)

Isaac Asimov’s Guide to the Bible: A Wit­ty, Eru­dite Atheist’s Guide to the World’s Most Famous Book

Isaac Asi­mov Pre­dicts the Future of Civilization–and Rec­om­mends Ways to Ensure That It Sur­vives (1978)

How Isaac Asi­mov Went from Star Trek Crit­ic to Star Trek Fan & Advi­sor

Watch Restored Versions of Classic Fleischer Cartoons on Youtube, Featuring Betty Boop, Koko the Clown & Others

Quite a few gen­er­a­tions of Amer­i­can chil­dren have by now grown up know­ing the names of Max and Dave Fleis­ch­er — albeit know­ing even bet­ter the names of the char­ac­ters they ani­mat­ed, like Bet­ty Boop, Pop­eye the Sailor, and Super­man. The kids who first thrilled to Max Fleis­cher’s ear­ly “Out of the Inkwell” series, which he start­ed in the late nine­teen-tens and con­tin­ued into the late nine­teen-twen­ties, would nat­u­ral­ly have seen them in a movie the­ater. But most of us under the age of eighty would have received our intro­duc­tion to the live­ly, whim­si­cal, and often bizarre world of the broth­ers Fleis­ch­er through the tele­vi­sion, a medi­um hun­gry for car­toons prac­ti­cal­ly since its incep­tion.

Now view­ers of all ages can enjoy Fleis­ch­er car­toons on Youtube, and in new­ly restored form at that. “The Fab­u­lous Fleis­ch­er Car­toons Restored team is ded­i­cat­ed to pre­serv­ing Fleis­cher’s films by restor­ing them from orig­i­nal prints and neg­a­tives,” writes Boing Boing’s Rusty Blazen­hoff, adding that “Adam Sav­age’s Test­ed vis­it­ed the Black­hawk Films scan­ning facil­i­ty in Cal­i­for­nia and spoke with restora­tion expert Steve Stanch­field about the process of bring­ing these clas­sic films back to life.”

The charm of Fleis­ch­er car­toons may still feel effort­less a cen­tu­ry after their cre­ation, but any­one famil­iar with ani­ma­tion knows how painstak­ing that cre­ation would have been; by the same token, bring­ing the sur­viv­ing films back to pris­tine con­di­tion is a more com­pli­cat­ed job than most view­ers would imag­ine.

The cur­rent offer­ings on Fab­u­lous Fleis­ch­er Car­toons Restored’s chan­nel include Bet­ty Boop and Pudgy in “Hap­py You and Mer­ry Me,” Bim­bo the Dog in “Teacher’s Pest,” and even the short but lav­ish Tech­ni­col­or fan­ta­sy “Some­where in Dream­land,” which bright­ened up the grim days of the Great Depres­sion for all who saw it. The restor­ers have also worked their mag­ic on Fleis­ch­er hol­i­day car­toons like “Rudolph the Red-Nosed Rein­deer” and “Christ­mas Comes But Once a Year” (includ­ing with the lat­ter a side-by-side com­par­i­son of the new restora­tion with the exist­ing six­teen-mil­lime­ter DVD print). Yes, Christ­mas has just passed, but it will come again next year, and bring with it the lat­est gen­er­a­tion’s chance to be delight­ed by Fleis­ch­er car­toons crisper and more vivid than the ones with which any of us grew up.

via Boing Boing

Relat­ed con­tent:

Watch a Sur­re­al 1933 Ani­ma­tion of Snow White, Fea­tur­ing Cab Cal­loway & Bet­ty Boop: It’s Ranked as the 19th Great­est Car­toon of All Time

The Harlem Jazz Singer Who Inspired Bet­ty Boop: Meet the Orig­i­nal Boop-Oop-a-Doop, “Baby Esther”

The Orig­i­nal 1940s Super­man Car­toon: Watch 17 Clas­sic Episodes Free Online

The Trick That Made Ani­ma­tion Real­is­tic: Watch a Short His­to­ry of Roto­scop­ing

Einstein’s The­o­ry of Rel­a­tiv­i­ty Explained in One of the Ear­li­est Sci­ence Films Ever Made (1923)

How Walt Dis­ney Car­toons Are Made: 1939 Doc­u­men­tary Gives an Inside Look

Based in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the Sub­stack newslet­ter Books on Cities, the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les and the video series The City in Cin­e­ma. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

Pelé’s Great World Cup Goals (RIP)

Today, the soc­cer leg­end, Pelé, passed away at age 82. The most dom­i­nant play­er of his gen­er­a­tion, Pelé turned pro­fes­sion­al at age 15, won the World Cup at age 17 in 1958 (before win­ning two more World Cups in 1962 and 1970), and ulti­mate­ly scored 1,283 goals in 1,367 pro­fes­sion­al match­es, aver­ag­ing near­ly one goal per game. On the inter­na­tion­al stage, he scored 77 goals for Brazil, 12 of them in the World Cup.

The high­light reel above fea­tures the young Pelé’s goals in the 1958 World Cup. Sep­a­rate­ly, you can see his 5 great­est goals in the World Cup finals here. And, for good mea­sure, we’ve added more footage below that high­lights his mag­i­cal skills across his career.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent 

Video: Bob Mar­ley Plays a Soc­cer Match in Brazil, 1980

Albert Camus’ Lessons Learned from Play­ing Goalie: “What I Know Most Sure­ly about Moral­i­ty and Oblig­a­tions, I Owe to Foot­ball”

Why Jorge Luis Borges Hat­ed Soc­cer: “Soc­cer is Pop­u­lar Because Stu­pid­i­ty is Pop­u­lar”

The Book of Leaves: A Beautiful Stop Motion Film Featuring 12,000 Pressed Leaves

Brett Foxwell metic­u­lous­ly col­lect­ed over 12,000 leaves while walk­ing through forests and parks. Then he care­ful­ly arranged the leaves, many at dif­fer­ent stage of devel­op­ment, into a stop motion sequence. He says:

While col­lect­ing leaves, I con­ceived that the leaf shape [of] every sin­gle plant type I could find would fit some­where into a con­tin­u­ous ani­mat­ed sequence of leaves if that sequence were expan­sive enough. If I did­n’t have the per­fect shape, it meant I just had to col­lect more leaves.

Above, you can see the result of his painstak­ing work. You can also watch anoth­er exact­ing Foxwell ani­ma­tion, The Woodswim­mer, here.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

via Petapix­el/Laugh­ing Squid

Relat­ed Con­tent

Watch “The Woodswim­mer,” a Stop Motion Film Made Entire­ly with Wood, and “Bru­tal­ly Tedious” Tech­niques

Stun­ning­ly Elab­o­rate Ottoman Cal­lig­ra­phy Drawn on Dried Leaves

The Secret Lan­guage of Trees: A Charm­ing Ani­mat­ed Les­son Explains How Trees Share Infor­ma­tion with Each Oth­er

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Watch You Suck at Cooking, a Hilarious Source for Tasty Recipes and Food Hacks of Questionable Veracity

Is it just us, or did half of Gen Z teach them­selves how to cook on Tik­Tok dur­ing the height of the pan­dem­ic?

The recipes that go viral have more in com­mon with gonzo sci­ence exper­i­ments than Julia Child’s Coq au Vin.

Hacks are gold­en in this forum — whether or not they actu­al­ly work — and run­ning time is of the essence.

There’s an unmis­tak­able visu­al vocab­u­lary, too — from the god shots of man­i­cured hands dump­ing pre-mea­sured ingre­di­ents into mix­ing bowls to the reveal of the com­plet­ed dish just sec­onds lat­er.

One has to be con­ver­sant in these tropes to sub­vert them as glee­ful­ly as the anony­mous cre­ator of the sev­en year old online series You Suck at Cook­ing.

Unlike such Tik­Tok heavy hit­ters as cloud bread or whipped cof­fee, most of You Suck at Cook­ing’s dish­es are things you might con­sid­er prepar­ing on a reg­u­lar basis, how­ev­er trendy they may be at the moment.

The respon­si­ble par­ty’s cook­ing and edit­ing skills are sol­id, but his writ­ing is the real star here. We also appre­ci­ate the mas­sive amount of plan­ning and care that goes into every five minute episode.

He’s an unabashed coin­er of vocab­u­lary and elab­o­rate ways to refer to straight­for­ward appli­ances and ingre­di­ents. His deliv­ery is mild man­nered, but he doesn’t mince words when it comes to culi­nary bias­es — e.g., condi­ment­ing only one side of the bun is a cer­ti­fi­able burg­er crime and if you don’t like pick­les, one thing you can do is seek help.

Sim­ple dish­es such as overnight oats require so lit­tle instruc­tion, he’s freed up to skew­er the ques­tion­able claims of food-focused well­ness “experts” by lean­ing all the way in.

The spir­it of the project car­ries over into his writ­ten step-by-steps on the rare occa­sions when mere video demon­stra­tion will not suf­fice.

(His cook­book, You Suck at Cook­ing: The Absurd­ly Prac­ti­cal Guide to Suck­ing Slight­ly Less at Mak­ing Food, was pub­lished anony­mous­ly in 2019.)

To get the most from your expe­ri­ence, we rec­om­mend you first watch his deep fried Kore­an-style corn­dog How To, then fol­low the writ­ten recipe:

1. Go to the store 

2. Buy corn dogs 

3. Enjoy 

If you insist on mak­ing corn dogs your­self, first read these fry­ing safe­ty tips

The rea­son home fry­ers are safer than doing it on the stove­top is because they lim­it the heat of your oil so it won’t catch fire. It’s easy to let it get too hot which is very bad news. 

Bat­ter

    • 1 ¼ cups flour 
    • 2 table­spoon sug­ar 
    • ½ tea­spoon salt 
    • 1.3 tea­spoon yeast 
    • 1 egg 
    • 100 ml warm water

Wang­jan­gle until your wrist is furi­ous (I did it for a few min­utes tops)

Let it sit for half an hour 

Dry off any­thing you’re rolling in it 

Peg your dogs 

Roll ‘em 

Roll them in arti­san Ital­ian bread crumbs (okay seri­ous­ly this is a fla­vor game chang­er and I can’t rec­om­mend them enough. Kor­tal­ian food just has such depth. 

Fry for 3 min­utes 

Cool for a few min­utes 

I think any­thing else is pret­ty straight for­ward

When it comes to cook­ing hacks, our hero is a cham­pi­on fab­u­list.

It’s safe to assume that the first tip is legit, after which… well, let’s just say that some of his orange peel­ing meth­ods remind us in the best pos­si­ble way of our old pal Shel Silverstein’s Uncle Shelby’s ABZ Book.

Enjoy a playlist of all 150 episodes of You Suck at Cook­ing here.

Relat­ed Con­tent 

Michael Pol­lan Explains How Cook­ing Can Change Your Life; Rec­om­mends Cook­ing Books, Videos & Recipes

10,000 Vin­tage Recipe Books Are Now Dig­i­tized in The Inter­net Archive’s Cook­book & Home Eco­nom­ics Col­lec­tion

The New York Times Makes 17,000 Tasty Recipes Avail­able Online: Japan­ese, Ital­ian, Thai & Much More

- Ayun Hal­l­i­day is the Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine and author, most recent­ly, of Cre­ative, Not Famous: The Small Pota­to Man­i­festo.  Fol­low her @AyunHalliday.


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