Hunter S. Thompson Sends a Letter to the Indianapolis Colts, Urging Them to Pick Ryan Leaf Over That “Peyton Manning Kid” (1998)

The 1998 NFL draft was a mem­o­rable one. A debate raged around whether the Indi­anapo­lis Colts should use their first round pick to select Ryan Leaf or Pey­ton Man­ning. Every­one had an opin­ion about these two quar­ter­backs, includ­ing Hunter S. Thomp­son. The author of Fear and Loathing in Las Vegas and Hel­l’s Angels sent a let­ter to Colts own­er Jim Irsay, urg­ing him to select the high­ly-tout­ed Leaf.

Dear James,

In response to yr addled request for a quick $30M loan to secure the ser­vices of the Man­ning kid — I have to say No, (sic) at this time

But the Leaf boy is anoth­er mat­ter. He looks strong & Man­ning doesn’t — or at least not strong enough to han­dle that “Wel­come to the NFL” busi­ness for two years with­out a world-class offen­sive line.

How are you fixed at left OT for the next few years, James? Think about it. You don’t want a chi­na (sic) doll back there when that freak [War­ren] Sapp comes crash­ing in.

Okay. Let me know if you need some mon­ey for Leaf. I expect to be very rich when this [John­ny] depp (sic) movie comes out.

Yr. faith­ful con­sul­tant,

HUNTER

Twen­ty years lat­er, we know how things played out. The Colts ulti­mate­ly picked Man­ning, who became one of the most pro­duc­tive and cel­e­brat­ed quar­ter­backs ever. As for Leaf, he played four sea­sons and exit­ed the sport, con­sid­ered by some the No. 1 “draft bust” in NFL his­to­ry. But he’s cer­tain­ly a good sport. Leaf post­ed Thomp­son’s let­ter (above) on his Twit­ter stream last month

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

Hunter S. Thompson’s Deca­dent Dai­ly Break­fast: The “Psy­chic Anchor” of His Fre­net­ic Cre­ative Life

How Hunter S. Thomp­son Gave Birth to Gonzo Jour­nal­ism: Short Film Revis­its Thompson’s Sem­i­nal 1970 Piece on the Ken­tucky Der­by

Hear the 10 Best Albums of the 1960s as Select­ed by Hunter S. Thomp­son

Read 11 Free Arti­cles by Hunter S. Thomp­son That Span His Gonzo Jour­nal­ist Career (1965–2005)

The Monty Python Philosophy Football Match: The Ancient Greeks Versus the Germans

Today, as the 2018 World Cup draws to a close, we’re revis­it­ing a clas­sic Mon­ty Python skit. The scene is the 1972 Munich Olympics. The event is a football/soccer match, pit­ting Ger­man philoso­phers against Greek philoso­phers. On the one side, the Ger­mans — Hegel, Niet­zsche, Kant, Marx and, um, Franz Beck­en­bauer. On the oth­er side, Archimedes, Socrates, Pla­to and the rest of the gang. The ref­er­ee? Con­fu­cius. Of course.

Note: Some years ago, this match was recre­at­ed by The Phi­los­o­phy Shop, a group ded­i­cat­ed to pro­mot­ing phi­los­o­phy among pri­ma­ry school­child­ren. The Tele­graph gives you more details.

Enjoy.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

Mon­ty Python’s Best Phi­los­o­phy Sketch­es

Noam Chom­sky Slams Žižek and Lacan: Emp­ty ‘Pos­tur­ing’

Free Phi­los­o­phy Cours­es

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The Truth Behind Jane Austen’s Fight Club: Female Prize Fights Were a Thing During the 18th Century

The first rule of Fight Club is: you do not talk about Fight Club. 

The sec­ond rule of Fight Club is: you DO NOT talk about Fight Club! 

- Chuck Palah­niuk, Fight Club

Could it be a case of autho­r­i­al over­sight that all sub­se­quent rules are exclu­sive­ly con­cerned with such prac­ti­cal mat­ters as dress and fight dura­tion?

Giv­en the macho rep­u­ta­tion of both the book and the film adap­ta­tion, it seems like the third rule of Fight Club should be: you DO NOT talk about the fact that a fair num­ber of Edwar­dian ladies were badass bare knuck­le fight­ers.

Because doing so might dimin­ish Fight Club’s street cred just a bit­sy…

Film­mak­er (and pop­u­lar audio­book nar­ra­tor) Emi­ly Jan­ice Card has a good deal of fun in Jane Austen’s Fight Club, above, mar­ry­ing Palahniuk’s tropes to the social mores of England’s Regency peri­od.

“No corsets, no hat pins and no cry­ing,” Tyler Dur­den stand-in Lizzie instructs the eager young ladies in her cir­cle. Soon, they’re proud­ly sport­ing bruis­es beneath their bon­nets and stray blood spots on their tea dress­es.

While young women of the fic­tion­al Ben­net sis­ters’ social class refrained from bru­tal fisticuffs, there’s ample evi­dence of female com­bat­ants from the pro­le­tar­i­an ranks. They fought for mon­ey, and occa­sion­al­ly to set­tle a dis­agree­ment, train­ing hard for weeks in advance.

Their bouts drew spec­ta­tors to the amphithe­ater owned by box­ing pro­mot­er James Figg, and the mar­velous­ly named Hock­ley in the Hole, a seedy estab­lish­ment whose oth­er attrac­tions includ­ed bear­bait­ing, bull­bait­ing, and fight­ing with broadswords and cud­gels.

The female fist fight­ers chal­lenged each oth­er with paid notices in local papers, like this one from “cham­pi­oness and ass-dri­ver” Ann Field of Stoke New­ing­ton:

Where­as I, Ann Field, of Stoke New­ing­ton, ass-dri­ver, well known for my abil­i­ties, in box­ing in my own defense wher­ev­er it hap­pened in my way, hav­ing been affront­ed by Mrs. Stokes, styled the Euro­pean Cham­pi­oness, do fair­ly invite her to a tri­al of her best skill in Box­ing for 10 pounds, fair rise and fall; and ques­tion not but to give her such proofs of my judg­ment that shall oblige her to acknowl­edge me Cham­pi­oness of the Stage, to the sat­is­fac­tion of all my friends.

Mrs. Stokes prompt­ly announced her readi­ness to come out of retire­ment:

I, Eliz­a­beth Stokes, of the City of Lon­don, have not  fought in this way since I fought the famous box­ing- woman of Billings­gate 29 min­utes, and gained a com­plete vic­to­ry (which is six years ago); but as the famous Stoke New­ing­ton ass-woman dares me to fight her for the 10 pounds, I do assure her I will not fail meet­ing her for the said sum, and doubt not that the blows which I shall present her with will be more dif­fi­cult for her to digest than any she ever gave her ass­es.

Rather than keep­ing mum on Fight Club, these female pugilists shared Muham­mad Ali’s flare for drum­ming up inter­est with irre­sistibly cocky word­play.

Ref­er­ences to adver­saries fight­ing in “close jack­et, short pet­ti­coats, and hol­land draw­ers … with white stock­ings and pumps” sug­gest that the adver­saries played to the spec­ta­tors’ pruri­ence, though not always. Unlike the 20th-cen­tu­ry stunt of biki­ni clad jel­lo wrestling, sex appeal was not oblig­a­tory.

In a chap­ter devot­ed to pub­lic enter­tain­ments, sports and amuse­ments, Alexan­der Andrews, author of The Eigh­teenth Cen­tu­ry or Illus­tra­tions of the Man­ners and Cus­toms of Our Grand­fa­thers, doc­u­ments how the Mer­ry Wives of Wind­sor, a crew com­prised of “six old women belong­ing to Wind­sor town” took out an ad seek­ing “any six old women in the uni­verse to outscold them.”

On June 22nd, 1768, a woman called Bruis­ing Peg “beat her antag­o­nist in a ter­ri­ble man­ner” to win a new chemise, val­ued at half a guinea.

In 1722, Han­nah Hyfield of New­gate Mar­ket, resolved to give her chal­lenger, Eliz­a­beth Wilkin­son, “more blows than words,” promis­ing to deliv­er “a good thump­ing.” Both par­ties agreed to hold a half-crown in their fists for the dura­tion of the fight. William B. Boul­ton, author of 1901’s Amuse­ments of Old Lon­don, spec­u­lates that this was a prac­ti­cal mea­sure to min­i­mize scratch­ing and hair-pulling.

Time trav­el to an 18th-cen­tu­ry female bare knuck­les fight via Female Sin­gle Com­bat Club’s exhaus­tive cov­er­ageSarah Murden’s excel­lent analy­sis of John Collet’s paint­ing, The Female Bruis­ers, above, or Jere­my Freeston’s short doc­u­men­tary avail­able on YouTube.

Relat­ed Con­tent:

Watch Author Chuck Palah­niuk Read Fight Club 4 Kids

Ste­vie Nicks “Shows Us How to Kick Ass in High-Heeled Boots” in a 1983 Women’s Self Defense Man­u­al

Ernest Hemingway’s Delu­sion­al Adven­tures in Box­ing: “My Writ­ing is Noth­ing, My Box­ing is Every­thing.”

Ayun Hal­l­i­day is an author, illus­tra­tor, the­ater mak­er and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine.  Fol­low her @AyunHalliday.

“Every Concussion in the NFL This Year” Documented in a Chilling Five Minute Video

Over at  The Inter­cept, Josh Beg­ley, a data visu­al­iza­tion artist, has post­ed a video enti­tled “Field of Vision — Con­cus­sion Pro­to­col.” By way of intro­duc­tion, he writes:

Since the sea­son start­ed, there have been more than 280 con­cus­sions in the NFL. That is an aver­age of 12 con­cus­sions per week. Though it claims to take head injuries very seri­ous­ly, the Nation­al Foot­ball League holds this data rel­a­tive­ly close. It releas­es year­ly sta­tis­tics, but those num­bers are pub­lished in aggre­gate, mak­ing it dif­fi­cult to glean spe­cif­ic insights.

I have been track­ing these injuries all sea­son. Using a vari­ety of meth­ods, includ­ing review­ing dai­ly injury reports from NFL.com, I have cre­at­ed what I believe is the most com­plete dataset of indi­vid­ual con­cus­sions sus­tained dur­ing the 2017–2018 sea­son.

The result­ing film, “Con­cus­sion Pro­to­col,” is a visu­al record of every con­cus­sion in the NFL this year.

He goes on to add: “This film does not make an argu­ment for end­ing foot­ball. Rather, it invites a set of ques­tions… When we watch Amer­i­can foot­ball, what are we see­ing?” Or, real­ly, what are we miss­ing? It’s only by “cut­ting togeth­er these scenes of injury — moments of impact, of inti­ma­cy, of trau­ma — and revers­ing them,” that we “see some of this vio­lence anew” and under­score the sheer bru­tal­i­ty of the game.

It’s worth read­ing Beg­ley’s arti­cle in full here.

via Kot­tke

Relat­ed Con­tent:

This Is Your Brain on Exer­cise: Why Phys­i­cal Exer­cise (Not Men­tal Games) Might Be the Best Way to Keep Your Mind Sharp

Your Brain on Art: The Emerg­ing Sci­ence of Neu­roaes­thet­ics Probes What Art Does to Our Brains

How Stress Can Change Your Brain: An Ani­mat­ed Intro­duc­tion

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90,000 Fans Sing “I Won’t Back Down” at University of Florida Football Game: A Goosebump-Inducing Tribute to Tom Petty

Tom Pet­ty grew up in Gainesville, Flori­da, in the back­yard of the Uni­ver­si­ty of Flori­da. On Sat­ur­day, dur­ing a foot­ball game against LSU, some 90,000 Gators fans gave Pet­ty a rau­cous send off, singing “I Won’t Back Down” in uni­son. Don’t know about you, but it gave me the chills.

BTW, if you’re won­der­ing what the occa­sion­al boos are all about, it’s the U. of Flori­da fans tak­ing the LSU march­ing band to task for dis­rupt­ing the Pet­ty sing-along. Or so it was per­ceived.

Relat­ed Con­tent:

Tom Pet­ty Takes You Inside His Song­writ­ing Craft

Jason Aldean Per­forms “I Won’t Back Down” on SNL–A Mov­ing Trib­ute the Vic­tims of the Las Vegas Shoot­ing & Tom Pet­ty

A 17-Hour, Chrono­log­i­cal Jour­ney Through Tom Petty’s Music: Stream the Songs That Became the Sound­tracks of Our Lives

Watch Tom Pet­ty (RIP) and the Heart­break­ers Per­form Their Last Song Togeth­er, “Amer­i­can Girl”: Record­ed on 9/25/17

Prince, Joined by Tom Pet­ty, Plays a Mind-Blow­ing Gui­tar Solo On “While My Gui­tar Gen­tly Weeps”

A Hypnotic Look at How Tennis Balls Are Made

Over the years, we’ve shown you var­i­ous house­hold objects being made–everything from crayons and ink, to vinyl records, old fash­ioned books and paper. Today, you can get a mes­mer­iz­ing glimpse into how ten­nis balls are made. Cre­at­ed by Bene­dict Red­grove for ESPN, the short film above shows “the man­u­fac­tur­ing process of [Wil­son] ten­nis balls for the US Open.” Com­bined, it takes 24 dif­fer­ent process­es to make the final ball. And it’s fun to watch.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

How Japan­ese Things Are Made in 309 Videos: Bam­boo Tea Whisks, Hina Dolls, Steel Balls & More

How Ink is Made: A Volup­tuous Process Revealed in a Mouth-Water­ing Video

Learn How Crayons Are Made, Cour­tesy of 1980s Videos by Sesame Street and Mr. Rogers

20 Mes­mer­iz­ing Videos of Japan­ese Arti­sans Cre­at­ing Tra­di­tion­al Hand­i­crafts

The Art of Mak­ing Old-Fash­ioned, Hand-Print­ed Books

The Mak­ing of Japan­ese Hand­made Paper: A Short Film Doc­u­ments an 800-Year-Old Tra­di­tion

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Watch the First Surf Movie Ever Made: A 1906 Thomas Edison Film Shot in Hawaii

Above you can watch what was arguably the first surf movie ever made–the very begin­ning of a long cin­e­mat­ic tra­di­tion that gave us Gid­get in 1959, and The End­less Sum­mer in 1966. And lest you think the surf movie reached its zenith dur­ing those hal­cy­on days, some would argue that the best surf films were lat­er pro­duced dur­ing the aughts–Thick­er Than Water (2000), Blue Crush (2002), Step Into Liq­uid (2003), Rid­ing Giants (2004), etc. And don’t for­get this great lit­tle short, “Dark Side of the Lens.”

In 1906, smack in the mid­dle of the aughts of last cen­tu­ry, Thomas Edi­son sent the pio­neer­ing cin­e­matog­ra­ph­er Robert K. Bonine to shoot an ‘Actu­al­i­ty’ doc­u­men­tary about life in the Poly­ne­sian islands. The blurb accom­pa­ny­ing this video describes the scene above: “The first mov­ing pic­tures of surfers rid­ing waves — Surf Rid­ers, Waiki­ki Beach, Hon­olu­lu — shows a minute of about a dozen surfers on ala­ia boards in head-high, off­shore surf at what is prob­a­bly Canoes. These surfers are shot too far away to detail what they were wear­ing, but they all appear to be in tanksuits.”

If you’re inter­est­ed in tak­ing a deep dive into Hawai­i’s surf­ing scene, I’d def­i­nite­ly rec­om­mend pick­up up a copy of Bar­bar­ian Days: A Surf­ing Lifethe mem­oir by New York­er writer William Finnegan. It won the 2016 Pulitzer Prize.

Relat­ed Con­tent:

Thomas Edison’s Silent Film of the “Fartiste” Who Delight­ed Crowds at Le Moulin Rouge (1900)

Dark Side of the Lens: A Poet­ic Short Film by Surf Pho­tog­ra­ph­er Mick­ey Smith

Watch the Very First Fea­ture Doc­u­men­tary: Nanook of the North by Robert J. Fla­her­ty (1922)

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“We Suck” — When Yale Pranked Harvard at the 2004 Big Football Game

On a com­plete­ly lighter note.

The blurb to the Youtube video above reads as fol­lows: “In 2004, 24 enter­pris­ing Yale stu­dents cre­at­ed the non-exis­tent “Har­vard Pep Squad” for the big Har­vard-Yale foot­ball game. As the Pep Squad pumped up the Har­vard fans, they dis­trib­uted 1800 pieces of red and white con­struc­tion papers with the under­stand­ing that when all the cards were held up, it would spell “GO HARVARD” See what hap­pens next!”

To get more of the back­sto­ry on what hap­pened that day, read this account by the mas­ter­mind of the prank as well as this account from a 2005 edi­tion of Yale Dai­ly News.

Relat­ed Con­tent:

Prince­ton v. Yale, 1903: The Old­est Col­lege Foot­ball Game on Film

The Har­vard Clas­sics: Down­load All 51 Vol­umes as Free eBooks

Yale Launch­es an Archive of 170,000 Pho­tographs Doc­u­ment­ing the Great Depres­sion

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Open Culture was founded by Dan Colman.