Foo Fighters frontman Dave Grohl raised an internet meme to an art form when he took the ALS Ice Bucket Challenge while parodying the epic prom scene from Carrie. John Travolta appeared in the 1976 horror film, and Stephen King wrote the book behind it. So Grohl name checks them both. Where Jack Black fits into the picture, I’m not exactly sure.
Donations to help find a cure for the horrific disease can be made over at the ALS Association. For a truly sobering account of what it’s like to live with ALS, read Tony Judt’s essay, “Night,” in The New York Review of Books. It was published in February 2010, shortly before the disease took his life.
Don Pardo voiced the introductions of Saturday Night Live for 38 seasons. He began calling out the names of the S.N.L. cast members during the first episode in October, 1975, and (except for the 1981–82 season) he kept calling out those names straight through last May. Chevy Chase, Gilda Radner, John Belushi, Bill Murray, Eddie Murphy, Tina Fey — he called them all. Thanks to an impersonator, you can hear a compilation of Pardo’s call for every cast member.
Don Pardo died yesterday at 96 years of age. Earlier in his career, he was the announcer for a number of American TV shows, including The Price Is Right, Jackpot, and Jeopardy!. But his voice became part of the fabric of America’s greatest comedy show, Saturday Night Live. And he continued voicing the intro long after his formal retirement from NBC in 2004. Not lacking energy (watch him blow out his candles on his 90th birthday), Pardo flew from Tucson to New York weekly to get S.N.L. started. Above, we have a short video that features Pardo, then 88, showing off, his sheer linguistic awesomeness.
Somehow, I’m now hoping that whenever my day comes, Don Pardo’s voice will introduce me on the other side.
As a New York City subway rider, I am constantly exposed to public health posters. More often than not these feature a photo of a wholesome-looking teen whose sober expression is meant to convey hindsight regret at having taken up drugs, dropped out of school, or foregone condoms. They’re well intended, but boring. I can’t imagine I’d feel differently were I a member of the target demographic. The Chelsea Mini Storage ads’ saucy regional humor is far more entertaining, as is the train wreck design approach favored by the ubiquitous Dr. Jonathan Zizmor.
Public health posters were able to convey their designated horrors far more memorably before photos became the graphical norm. Take Salvador Dalí’s sketch (below) and final contribution (top) to the WWII-era anti-venereal disease campaign.
Which image would cause you to steer clear of the red light district, were you a young soldier on the make?
A portrait of a glum fellow soldier (“If I’d only known then…”)?
Or a grinning green death’s head, whose choppers double as the frankly exposed thighs of two faceless, loose-breasted ladies?
Created in 1941, Dalí’s nightmare vision eschewed the sort of manly, militaristic slogan that retroactively ramps up the kitsch value of its ilk. Its message is clear enough without:
Stick it in—we’ll bite it off!
(Thanks to blogger Rebecca M. Bender for pointing out the composition’s resemblance to the vagina dentata.)
As a feminist, I’m not crazy about depictions of women as pestilential, one-way deathtraps, but I concede that, in this instance, subverting the girlie pin up’s explicitly physical pleasures might well have had the desired effect on horny enlisted men.
A decade later Dalí would collaborate with photographer Philippe Halsman on “In Voluptas Mors,” stacking seven nude models like cheerleaders to form a peacetime skull that’s far less threatening to the male figure in the lower left corner (in this instance, the very dapper Dalí himself).
We know that depression affects people from all walks of life. Rich. Poor. Celebs. Ordinary Joes. Young. Old. But, somehow after the death of Robin Williams, there’s a renewed focus on depression, and my mind turned immediately to a lecture we featured on the site way back in 2009. The lecture is by Robert Sapolsky, a Stanford biologist, who has a talent for making scientific subjects publicly accessible. A recipient of the MacArthur genius grant, Sapolsky notes that depression — currently the 4th greatest cause of disability worldwide, and soon the 2nd — is deeply biological. Depression is rooted in biology, much as is, say, diabetes. As the lecture unfolds, you will see how depression changes the body. When depressed, our brains function differently while sleeping, our stress response goes way up 24/7, our biochemistry levels change, etc. You will see that biology is at work.
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“With deep sorrow, yet with great gratitude for her amazing life, we confirm the passing of Lauren Bacall.” So tweeted The Humphrey Bogart Estate today, letting cinephiles everywhere know that Hollywood lost yet another great one this week. She was 89.
Bacall, of course, met Humphrey Bogart on the set of To Have and Have Not in 1943. And they became one of Hollywood’s legendary couples, starring together in The Big Sleep (1946), Dark Passage (1947), and Key Largo (1948). Above you can watch Bogie and Bacall share some light moments together during a costume test for Melville Goodwin, USA, a film the couple never ultimately made. The footage was shot on February 20, 1956, just after Bogart learned that he had esophageal cancer. He passed away less than a year later, on January 14, 1957. May Bogie & Bacall rest in peace.
Note: The costume test, like many from the period, doesn’t have sound. As you’ll see, you hardly need sound to appreciate the scene that unfolds. Don’t miss the part where the camera zooms in.
Rookie’s never less than worthy “Ask a Grown Man” series provides a forum for mature males like actor Jon Hamm and radio personality Ira Glass to offer thoughtful, straightforward advice and explanations, born of personal experience, to teenage girls (and other interested parties).
The most recent edition adds depth, and could just as accurately be titled “Ask a Level-Headed 50-Year-Old Father of Three, Who’s Been Happily Married to His Children’s Mother for Years.”
Lurking just beneath Stephen Colbert’s hawkish Colbert Report persona is a fair-minded, serious fellow, who’s unembarrassed to weigh in in favor of parental authority when a 19-year-old fan complains of her dad’s opposition to sleepovers at her boyfriend’s place while she’s still living at home. Perhaps she should’ve asked a grown man whom experience hadn’t equipped to see things from the other side of the fence, as Colbert foresees that his answer won’t “go over great with everyone.”
Perhaps this segment should be called “Ask a Grown Man Whose Unequivocating Moral Compass Is Inconveniently Close to Your Dad’s, But Whose Position Allows Him to Offer Insights Without Losing His Temper or Going Off Message.”
Colbert’s children’s extremely low profile in the media’s line up of celebrity offspring reflects well on those charged with their upbringing. Were his 18-year-old daughter to take issue with the old man’s musings on Twitter or Snapchat, she’d have the luxury of doing so in the way of the average Rookie reader, rather than some obsessively observed nearly-grown baby bump.
As to how to tell whether a boy—or anyone—likes you, Colbert says “they want to hear your stories.”
As one viewer noted, “ask a grown-up, get grown-up answers.” Word.
If you’re one of our philosophically-minded readers, you’re perhaps already familiar with Stanford professor John Perry. He’s one of the two hosts of the Philosophy Talk radio show that airs on dozens of public radio stations across the US. (Listen to a recent show here.) Perry has the rare ability to bring philosophy down to earth. He also, it turns out, can help you work through some worldly problems, like managing your tendency to procrastinate. In a short essay called “Structured Procrastination” — which Marc Andreessen (founder of Netscape, Opsware, Ning, and Andreessen Horowitz) read and called “one of the single most profound moments of my entire life” – Perry gives some tips for motivating procrastinators to take care of difficult, timely and important tasks. Perry’s approach is unorthodox. It involves creating a to-do list with theoretically important tasks at the top, and less important tasks at the bottom. The trick is to procrastinate by avoiding the theoretically important tasks (that’s what procrastinators do) but at least knock off many secondary and tertiary tasks in the process. The approach involves “constantly perpetrating a pyramid scheme on oneself” and essentially “using one character flaw to offset the bad effects of another.” It’s unconventional, to be sure. But Andreesen seems to think it’s a great way to get things done. You can read “Structured Procrastination” here.
Have your procrastination tips? Add them to the comments section below. Would love to get your insights.
Some things are difficult to improve upon. Take crayons. The new generation may be clamoring for shades like “mango tango” and “jazzberry jam” but the actual technology appears unchanged since Sesame Street detailed the process in the early 80s, in the lovely, non verbal documentary above. Not a product placement in sight, I might add, though few can mistake that familiar green and gold box.
Those who prefer a bit more explanation might prefer Fred Rogers’ hypnotic step-by-step guide, playing in perpetuity on Picture Picture.
By the time the industry’s giant gorilla got around to weighing in, the wooden collection boxes and analog counters had been replaced, but otherwise, it’s still business as usual on the ol’ crayon-manufacturing floor. Don’t expect to find the recipe for the “secret proprietary blend of pigments and other ingredients” any time soon. Just know they’re capable of cranking out 8500 crayons per minute. For those playing along at home, that’s enough to encircle the globe 6 times per calendar year, with a full third owing their existence to solar energy.
There’s a Homeland Security-ish vibe to some of the dialogue, but the Life of an American Crayon, above, does our native assembly lines proud. Prouder than the American slaughterhouse, anyway, or some other factory floors, I could name. The workers seem content enough to stay in their positions for decades, happily declaring allegiance to this or that hue.
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