The Art of Explaining Hard Ideas: Scientists Try to Explain Gene Editing & Brain Mapping to Young Kids & Students

If you’ve seen Bong Joon-ho’s film Okja, about an Agribusi­ness-engi­neered gar­gan­tu­an mutant pig and her young Kore­an girl side­kick, you may have some very spe­cif­ic ideas about CRISPR, the sci­ence used to edit and manip­u­late genes. In fact, the mad­cap fic­tion­al adventure’s world may not be too far off, though the sci­ence seems to be mov­ing in the oth­er direc­tion. Just recent­ly, Chi­nese sci­en­tists have report­ed the cre­ation of 12 pigs with 24 per­cent less body fat than the ordi­nary vari­ety. It may not be front-page news yet, but the achieve­ment is “a big issue for the pig indus­try,” says the lead researcher.

There’s much more to CRISPR than bio­engi­neer­ing lean bacon. But what is it and how does it work? I couldn’t begin to tell you. Let biol­o­gist Neville San­jana explain. In the Wired video above, he under­takes the ulti­mate chal­lenge for sci­ence communicators—explaining the most cut­ting-edge sci­ence to five dif­fer­ent peo­ple: a 7‑year-old, 14-year-old, col­lege stu­dent, grad stu­dent, and—to real­ly put him on the spot—a CRISPR expert. CRISPR is “a new area of bio­med­ical sci­ence that enables gene edit­ing,” San­jana begins in his short intro for view­ers, “and it’s help­ing us under­stand the basis of many genet­ic dis­eases like autism and can­cer.”

That’s all well and good, but does he have any­thing to say about the pig busi­ness? Watch and find out, begin­ning with the adorable 7‑year-old Teigen Riv­er, who may or may not have been primed with per­fect respons­es. Play it for your own kids and let us know how well the expla­na­tion works. San­jara runs quick­ly through his oth­er stu­dents to arrive, halfway through the video, at Dr. Matthew Can­ver, CRISPR expert.

From there on out you may wish to refer to oth­er quick ref­er­ences, such as the Har­vard and MIT Broad Institute’s short guide and video intro above from mol­e­c­u­lar biol­o­gist Feng Zhang, who explains that CRISPR, or “Clus­tered Reg­u­lar­ly Inter­sperced Short Palin­dromic Repeats,” is actu­al­ly the name of DNA sequences in bac­te­ria. The gene edit­ing tech­nol­o­gy itself is called CRISPR-Cas9. Just so you know how the sausage is made.

Enough of pig puns. Let’s talk about brains, with neu­ro­sci­en­tist Dr. Bob­by Kasthuri of the Argonne Nation­al Lab­o­ra­to­ry. He faces a sim­i­lar chal­lenge above—this time explain­ing high con­cept sci­ence to a 5‑year-old, 13-year-old, col­lege stu­dent, grad stu­dent, and a “Con­nec­tome entre­pre­neur.” A what? Con­nec­tome is the prod­uct of the NIH’s Human Con­nec­tome Project, which set out to “pro­vide an unpar­al­leled com­pi­la­tion of neur­al data” and “achieve nev­er before real­ized con­clu­sions about the liv­ing human brain.” This brain-map­ping sci­ence has many objec­tives, one of which, in the 5‑year-old ver­sion, is “to know where every cell in your brain is, and how it can talk to every oth­er cell.”

To this aston­ish­ing expla­na­tion you may reply like Daniel Dod­son, 5‑year-old, with a stunned “Oh.” And then you may think of Philip K. Dick, or Black Mir­ror’s “San Junipero” episode. Espe­cial­ly after hear­ing from “Con­nec­tome Entre­pre­neur” Rus­sell Han­son, founder and CEO of a com­pa­ny called Brain Back­ups, or after lis­ten­ing to Sebas­t­ian Seung—“leader in the field of connectomics”—give his TED talk, “I am my con­nec­tome.” Want anoth­er short, but grown-up focused, expla­na­tion of the total­ly sci­ence-fic­tion but also com­plete­ly real Con­nec­tome? See Kasthuri’s 2‑minute ani­mat­ed video above from Boston Uni­ver­si­ty.

Relat­ed Video:

Real­i­ty Is Noth­ing But a Hal­lu­ci­na­tion: A Mind-Bend­ing Crash Course on the Neu­ro­science of Con­scious­ness

Richard Feyn­man Cre­ates a Sim­ple Method for Telling Sci­ence From Pseu­do­science (1966)

125 Great Sci­ence Videos: From Astron­o­my to Physics & Psy­chol­o­gy 

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

Calm Down & Study with Relaxing Piano, Jazz & Harp Covers of Music from Hayao Miyazaki Films

Call­ing all pedi­atric den­tists!

Cat Trum­pet, aka musi­cian and ani­me lover Cur­tis Bon­nett, may have inad­ver­tent­ly hit on a genius solu­tion for keep­ing young patients calm in the chair: relax­ing piano cov­ers of famil­iar tunes from Stu­dio Ghibli’s ani­mat­ed fea­tures.

The results fall some­where between pianist George Winston’s ear­ly 80s sea­son­al solos and Ryuichi Sakamoto’s sound­track for the film Mer­ry Christ­mas, Mr. Lawrence. Let us remem­ber that most of these tunes were fair­ly easy on the ears to begin with. Com­pos­er Joe Hisaishi, who has col­lab­o­rat­ed with direc­tor Hayao Miyaza­ki on every Stu­dio Ghi­b­li movie save Cas­tle of Cagliostro, isn’t exact­ly a punk rock­er.

Many lis­ten­ers report that the playlist helps them stay focused while study­ing or doing home­work. Oth­ers suc­cumb to the emo­tion­al rip­tides of child­hood nos­tal­gia.

Ten­der pre­na­tal and new­born ears might pre­fer Cat Trumpet’s even gen­tler harp cov­ers of sev­en Ghi­b­li tunes, above.

Meawhile, the Japan-based Cafe Music BGM Sta­tion pro­vides hours of jazzy, bossa-nova inflect­ed Stu­dio Ghi­b­li cov­ers to hos­pi­tals, hair salons, bou­tiques, and cafes. You can lis­ten to three-and-a-half-hours worth, above. This, too, gets high marks as a home­work helper.

 

Cat Trumpet’s Relax­ing Piano Stu­dio Ghi­b­li Com­plete Col­lec­tion

00:00:03 Spir­it­ed Away — Inochi no Namae

00:04:14 Howl’s Mov­ing Cas­tle — Mer­ry Go Round of Life

00:07:16 Kik­i’s Deliv­ery Ser­vice — Town With An Ocean View

00:09:31 The Secret World of Arri­et­ty — Arri­et­ty’s Song

00:13:29 Lapu­ta Cas­tle In The Sky — Car­ry­ing You

00:17:05 Por­co Rosso — Theme

00:19:55 Whis­per of the Heart — Song of the Baron

00:22:33 Por­co Rosso — Mar­co & Gina’s Theme

00:26:19 Only Yes­ter­day — Main Theme

00:29:07 From Up On Pop­py Hill — Rem­i­nis­cence

00:34:12 Spir­it­ed Away — Shi­roi Ryuu

00:37:06 Nau­si­caä of the Val­ley of the Wind — Tori no Hito

00:41:14 Nau­si­caä of the Val­ley of the Wind —  Kaze no Denset­su

00:43:25 My Neigh­bor Totoro — Kaze no Toori Michi

00:47:48 Cas­tle of Cagliostro — Fire Trea­sure

00:51:38 Princess Mononoke — Tabidachi nishi e

00:53:07 Tales From Earth­sea — Teru’s Theme

00:58:17 My Neigh­bor Totoro — Tonari no Totoro

01:02:35 Whis­per of the Heart — Theme

01:06:03 Ponyo — Ron­do of the Sun­flower House

01:10:34 Howl’s Mov­ing Cas­tle — The Promise of the World

 

Cat Trumpet’s Relax­ing Harp Stu­dio Ghi­b­li Col­lec­tion Playlist

00:03 Spir­it­ed Away — Inochi no Namae

04:01 Spir­it­ed Away — Waltz of Chi­hi­ro

06:43 Howls Mov­ing Cas­tle — Mer­ry Go Round of Life

09:45 Howl’s Mov­ing Cas­tle — The Promise of the World

13:15 Lapu­ta Cas­tle In The Sky — Main Theme

16:55 Ponyo on the Cliff by the Sea — Main Theme

20:15 Tonari no Totoro — Kaze no Toori Michi

 

Cafe Music BGM’s Relax­ing Jazz & Bossa Nova Stu­dio Ghi­b­li Cov­er Playlist (song titles in Japan­ese)

0:00 海の見える街  〜魔女の宅急便/Kiki’s Deliv­ery Ser­vice

4:10 もののけ姫  〜もののけ姫/Princess Mononoke

7:28 君をのせて 〜天空の城ラピュタ/Laputa, the Cas­tle of the Sky

11:09 風の通り道 〜となりのトトロ/My Nei­bour Totoro

16:26 ひこうき雲 〜風立ちぬ/THE WIND RISES〜

19:48 空とぶ宅急便 〜魔女の宅急便/Kiki’s Deliv­ery Ser­vice

25:05 人生のメリーゴーランド

〜ハウルの動く城/Howl’s Mov­ing Cas­tle

28:07 いつも何度でも 〜千と千尋の神隠し/Spirited Away

32:08 となりのトトロ 〜となりのトトロ/My Nei­bour Totoro

36:40 さんぽ 〜となりのトトロ/My Nei­bour Totoro

38:40 崖の上のポニョ 〜崖の上のポニョ/Ponyo

42:08 ねこバス 〜となりのトトロ/My Nei­bour Totoro

46:06 旅路 〜風立ちぬ/THE WIND RISES

49:16 アシタカとサン 〜もののけ姫/Princess Mononoke

53:38 おかあさん 〜となりのトトロ/My Nei­bour Totoro

58:19 旅立ち 〜魔女の宅急便/Kiki’s Deliv­ery Ser­vice

1:02:25 風の谷のナウシカ 〜風の谷のナウシカ/Nausicaa of the Val­ley of the Wind

1:06:59 やさしさに包まれたなら 〜魔女の宅急便/Kiki’s Deliv­ery Ser­vice

 

Tune in to Cat Trumpet’s Spo­ti­fy chan­nel for his relax­ing takes on Dis­ney and ani­me, as well as Stu­dio Ghi­b­li. They are avail­able for pur­chase on iTunes and Google Play, or enjoy some free down­loads by patron­iz­ing his Patre­on. He takes requests, too.

Tune in to Cafe Music’s BGM Spo­ti­fy chan­nel for Stu­dio Ghi­b­li jazz, in addi­tion to some relax­ing Hawai­ian gui­tar jazz and a selec­tion of nature-based mel­low tunes. They are avail­able for pur­chase on iTunes.

Relat­ed Con­tent:

Insane­ly Cute Cat Com­mer­cials from Stu­dio Ghi­b­li, Hayao Miyazaki’s Leg­endary Ani­ma­tion Shop

Hayao Miyaza­ki Picks His 50 Favorite Children’s Books

How the Films of Hayao Miyaza­ki Work Their Ani­mat­ed Mag­ic, Explained in 4 Video Essays

Ayun Hal­l­i­day is an author, illus­tra­tor, the­ater mak­er and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine.  Fol­low her @AyunHalliday.

“Goodnight Moon,” as Read to Neil deGrasse Tyson by LeVar Burton

Metafil­ter sets the stage for the cute, new­ly mint­ed video above:

At 1:00pm on May 17th, 2017, Neil deGrasse Tyson tweet­ed that he occa­sion­al­ly longed for some­one to read Good Night Moon to him as he falls asleep. Six min­utes lat­er, LeVar Bur­ton tweet­ed “I got you… Let’s do this!” And do it they did.

Some back­ground: LeVar Bur­ton host­ed the chil­dren’s TV show Read­ing Rain­bow for two decades, read­ing to chil­dren and encour­ag­ing them to read. His new pod­cast, LeVar Bur­ton Reads, is like Read­ing Rain­bow for adults. Neil deGrasse Tyson is a famous dancer yt /astrophysicist.

You can see Susan Saran­don read her own ver­sion. Find it in the Relat­eds below. Enjoy.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

Susan Saran­don Reads an Ani­mat­ed Ver­sion of Good Night Moon … With­out Cry­ing

A Ter­ri­fy­ing Read­ing of the Sweet Children’s Sto­ry Good­night Moon

Good­night Kei­th Moon: “The Most Inap­pro­pri­ate Bed­time Sto­ry Ever”

A Reading of Edgar Allan Poe’s “The Raven” in 100 Celebrity Voices

For every august per­son­age who’s tak­en a crack Edgar Allan Poe’s ever­green poem, “The Raven,” there are thou­sands more who haven’t.

Humorist Jor­dan Mon­sell is doing what he can to close that gap, pro­vid­ing a sam­pling of 100 most­ly male, most­ly white, most­ly human celebri­ty voic­es. It’s a solo recita­tion, but vocal­ly a col­lab­o­ra­tive one, with a fair num­ber of ani­mat­ed char­ac­ters mak­ing their way into the cred­its, too.

He cer­tain­ly knows how to cast out­side the box. Tra­di­tion­al Poe inter­preters such as Vin­cent Price and John Astin bring some well estab­lished creep cred to the enter­prise. Mon­sell picks Christo­pher Walken and Christo­pher Lee already have exist­ing takes on this clas­sic, and Antho­ny Hop­kins and Willem Dafoe are wel­come addi­tions.

But what to make of Jer­ry Sein­feld, Pee-Wee Her­man, John­ny Cash… and even poet­ry lover Bill Mur­ray? Man­ic and much missed Robin Williams may offer a clue. What good is hav­ing an arse­nal of impres­sions if you’re not will­ing to roll them out in rapid suc­ces­sion?

While some of Mon­sel­l’s imper­son­ations (cough, David Bowie) fall a bit short of the mark, oth­ers will have you regret­ting that no one had the fore­thought to record Don Knotts or JFK recit­ing the poem in its entire­ty.

The titles offer a bit of a mis­nomer. In many instances, it’s not real­ly the per­form­ers but their best known char­ac­ters being aped. While there may not be too great a vocal divide between play­wright Wal­lace Shawn and Vizzi­ni in The Princess Bride, The Dude is not Jeff Bridges, any more than Cap­tain Jack Spar­row is John­ny Depp.

The project seems like­ly to play best with nerdy ado­les­cent boys… which could be good news for teach­ers look­ing to get reluc­tant read­ers onboard. Show it on the class­room Smart Board, and be pre­pared to have mini-teach-ins on Katharine Hep­burn, Wal­ter Matthau, the late great Robert Shaw, and oth­er big names whose day has passed. Shrek, Gol­lum, and Har­ry Potter’s house elf, Dob­by, are on hand to keep the ref­er­ences from feel­ing too moldy.

The specter of Poe gets the cov­et­ed final word, a balm to the ears after the triple assault of Chris­t­ian Bale’s Bat­man, Mad Max’s Tom Hardy, and Heath Ledger’s Jok­er. (It may be a mat­ter of taste. You’ll hear no com­plaint from these quar­ters with regard to Mick­ey Mouse, Bert Lahr’s Cow­ard­ly Lion, or The Simpson’s Krusty the Klown, won­der­ful­ly unc­tu­ous.)

The break­neck audio patch­work approach doesn’t do much for read­ing com­pre­hen­sion, but could lead to a live­ly mid­dle school dis­cus­sion on what con­sti­tutes a suc­cess­ful per­for­mance. Who served the text best? Read­ers?

Fur­ther­more, who’s miss­ing? What voice would you add to the Monsell’s roll call, below?

Mor­gan Free­man

Ker­mit the Frog

John­ny Cash

Ringo Starr

David Bowie

Rick Mora­nis

Gary Old­man

Peter Lorre

Adam San­dler

Don Knotts

William Shat­ner

George Takei

Michael Dorn

Daffy Duck

Ricky Ger­vais

Foghorn Leghorn

Liam Nee­son

Nicholas Cage

John Tra­vol­ta

Antho­ny Hop­kins

Rod Ser­ling

Cook­ie Mon­ster

Jay Baruchel

Jeff Bridges

John­ny Depp

Archer

Dr. Phil

Gol­lum

Mandy Patinkin

Wal­lace Shawn

Bil­ly Crys­tal

Owen Wil­son

Dustin Hoff­man

Krusty the Klown

Apu

Chris­t­ian Bale

Michael Caine

Tom Hardy

Heath Ledger

Mick­ey Mouse

John Wayne

Jer­ry Sein­feld

Phil Hart­man

Goofy

Al Paci­no

Mar­lon Bran­do

Jack Lem­mon

Wal­ter Matthau

Christo­pher Walken

Rowlf the Dog

John Cleese

Robin Williams

Katharine Hep­burn

Woody Allen

Matthew McConaugh­ey

Cow­ard­ly Lion

Jim­my Stew­art

John C. Reil­ly

James Mason

Sylvester Stal­lone

Arnold Schwarzeneg­ger

Stewie

Daniel Day Lewis

Mag­gie Smith

Alan Rick­man

Dob­by

Jack Nichol­son

Christoph Waltz

Bill Mur­ray

Dan Aykroyd

Sean Con­nery

Bill Cos­by

Christo­pher Lloyd

Droopy Dog

Kevin Spacey

Har­ri­son Ford

Ronald Rea­gan

JFK

Bill Clin­ton

Keanu Reeves

Ian McK­ellen

Paul Gia­mat­ti

Sebas­t­ian

Stan Lee

Jeff Gold­blum

Hugh Grant

Ken­neth Branagh

Lar­ry the Cable Guy

Pee-Wee Her­man

Shrek

Don­key

Charl­ton Hes­ton

Michael Keaton

Homer Simp­son

Yoda

Willem Dafoe

Bruce Willis

Robert Shaw

Christo­pher Lee

Edgar Allan Poe

Relat­ed Con­tent:

Hear Clas­sic Read­ings of Poe’s “The Raven” by Vin­cent Price, James Earl Jones, Christo­pher Walken, Neil Gaiman, Stan Lee & More

Edgar Allan Poe’s the Raven: Watch an Award-Win­ning Short Film That Mod­ern­izes Poe’s Clas­sic Tale

The Grate­ful Dead Pays Trib­ute to Edgar Allan Poe’s “The Raven” in a 1982 Con­cert: Hear “Raven Space”

Ayun Hal­l­i­day is an author, illus­tra­tor, the­ater mak­er and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine.  Fol­low her @AyunHalliday.

A Digital Archive of Soviet Children’s Books Goes Online: Browse the Artistic, Ideological Collection (1917–1953)

At both a geo­graph­i­cal and his­tor­i­cal dis­tance, the Sovi­et Union does­n’t look like much of a place for kids. If you grew up dur­ing the Cold War in, say, the Unit­ed States, you might well have the impres­sion (of which The Simp­sons’ “Work­er and Par­a­site” remains the defin­ing crys­tal­liza­tion) of a gray, harsh­ly util­i­tar­i­an land behind the Iron Cur­tain con­cerned with noth­ing more whim­si­cal than bread lines and pro­duc­tion quo­tas. But if you grew up in the Sovi­et Union, at least at one of the right times and in one of the right places, you might feel a now much-dis­cussed nos­tal­gia, not for the eco­nom­ic dif­fi­cul­ties of your Sovi­et child­hood, but for the sen­si­bil­i­ties of the van­ished soci­ety you grew up in. An online inter­ac­tive data­base called Play­ing Sovi­et: The Visu­al Lan­guages of Ear­ly Sovi­et Children’s Books, 1917–1953 pro­vides a kid’s-eye view into the ear­ly decades of that soci­ety.

A project of the Cot­sen Col­lec­tion at Princeton’s Fire­stone Library, the archive con­tains a vari­ety of ful­ly dig­i­tized chil­dren’s books that show one venue in which, amid these years of “Russia’s accel­er­at­ed vio­lent polit­i­cal, social and cul­tur­al evo­lu­tion,” in the words of the data­base’s front page, cer­tain kinds of graph­ic art could flour­ish. “The illus­tra­tion and look of Sovi­et children’s books was of tan­ta­mount impor­tance as a vehi­cle for prac­ti­cal and con­crete infor­ma­tion in the new Sovi­et regime.”

This ambi­tious effort, dri­ven by “direc­tives for a new kind of children’s lit­er­a­ture” to be “found­ed on the assump­tion that the ‘lan­guage of images’ was imme­di­ate­ly com­pre­hen­si­ble to the mass read­er, far more so than the typed word,” brought in a great many artists and design­ers such as Alexan­der Deine­ka, El Lis­sitzky, and Vladimir Lebe­dev, task­ing them all with cre­at­ing “imag­i­na­tive mod­els for Sovi­et youth in the new lan­guages of Sovi­et mod­ernism.”

Men­tal Floss’ Shau­na­cy Fer­ro notes how many of the books “were designed to indoc­tri­nate chil­dren into the world of the ‘right’ way to think about Sovi­et cul­ture and his­to­ry,” point­ing to a vol­ume called How the Rev­o­lu­tion Was Vic­to­ri­ous, which meant “to ensure the cor­rect inter­pre­ta­tion of the anti-gov­ern­men­tal coup among the young gen­er­a­tion of new Sovi­et read­er­ship.” Some of the oth­er read­ing mate­r­i­al that result­ed, like 1930’s indus­tri­al­ly focused What Are We Build­ing? or the slight­ly ear­li­er How Sen­ka Ezhik Made a Knife, wears its instruc­tion­al val­ue on its sleeve (or rather, its cov­er). Oth­ers, like 1925’s The Lit­tle Octo­brist Ras­cal or that same year’s Chi­na-set A Cup of Tea, offer high­er dos­es of play­ful­ness mixed in with the ide­ol­o­gy.

Play­ing Sovi­et also includes the work of Vladimir Mayakovsky, whose Whom Should I Be?, a rep­re­sen­ta­tive book from the “gold­en age” of Sovi­et Chil­dren’s lit­er­a­ture, we fea­tured here on Open Cul­ture ear­li­er this year. Rus­sia Beyond the Head­lines’ Alexan­dra Gueza high­lights Mayakovsky’s  What is Good and What is Bad? (“in which he explains that walk­ing in the rain and thun­der­storms is bad, clean­ing your teeth is good, fight­ing with the boys is bad, while study­ing is good”) and Octo­ber 1917–1918: Heroes and Vic­tims of the Rev­o­lu­tion, whose “good guys” include “a work­er, a Red Army sol­dier, a sailor, a seam­stress” and whose “bad guys” include “a fac­to­ry own­er, a landown­er, a rich farmer, a priest, a mer­chant.” Good­night Moon it cer­tain­ly isn’t, but then, how many Amer­i­can chil­dren’s books had to attempt a fun­da­men­tal rein­ven­tion of soci­ety?

via Hyper­al­ler­gic

Relat­ed Con­tent:

Read Vladimir Mayakovsky’s Children’s Book Whom Should I Be?: A Clas­sic from the “Gold­en Age” in Sovi­et Children’s Lit­er­a­ture

Sovi­et-Era Illus­tra­tions Of J. R. R. Tolkien’s The Hob­bit (1976)

Enter an Archive of 6,000 His­tor­i­cal Children’s Books, All Dig­i­tized and Free to Read Online

Hayao Miyaza­ki Picks His 50 Favorite Children’s Books

The First Children’s Pic­ture Book, 1658’s Orbis Sen­su­al­i­um Pic­tus

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities and cul­ture. He’s at work on the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les, the video series The City in Cin­e­ma, the crowd­fund­ed jour­nal­ism project Where Is the City of the Future?, and the Los Ange­les Review of Books’ Korea Blog. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

Hayao Miyazaki Picks His 50 Favorite Children’s Books

Once upon a time, books served as the de fac­to refuge of the “phys­i­cal­ly weak” child. For ani­ma­tion leg­end, Hayao Miyaza­ki, above, they offered an escape from the grim­mer real­i­ties of post-World War II Japan.

Many of the 50 favorites he select­ed for a 2010 exhi­bi­tion hon­or­ing pub­lish­er Iwana­mi Shoten’s “Boy’s Books” series are time-test­ed West­ern clas­sics.

Lon­ers and orphans–The Lit­tle Prince, The Secret Gar­denfig­ure promi­nent­ly, as do talk­ing ani­mals (The Wind in the Wil­lows, Win­nie-the-Pooh, The Voy­ages of Doc­tor Dolit­tle).

And while it may be a com­mon­ly-held pub­lish­ing belief that boys won’t read sto­ries about girls, the young Miyaza­ki seemed to have no such bias, rank­ing Hei­di and Lau­ra Ingalls Wilder right along­side Tom Sawyer and Trea­sure Island’s pirates.

Sev­er­al of the titles that made the cut were ones he could only have encoun­tered as a grown up, includ­ing 1967’s From the Mixed-Up Files of Mrs. Basil E. Frankweil­er and When Marnie Was There, the lat­ter even­tu­al­ly serv­ing as source mate­r­i­al for a Stu­dio Ghi­b­li movie, as did Miyazaki’s top pick, Mary Norton’s The Bor­row­ers.

We invite you to take a nos­tal­gic stroll through Miyazaki’s best-loved children’s books. Read­ers, how many have you read?

Hayao Miyazaki’s Top 50 Children’s Books

  1. The Bor­row­ers — Mary Nor­ton
  2. The Lit­tle Prince — Antoine de Saint-Exupéry
  3. Chil­dren of Noisy Vil­lage — Astrid Lind­gren
  4. When Marnie Was There — Joan G. Robin­son
  5. Swal­lows and Ama­zons — Arthur Ran­some
  6. The Fly­ing Class­room — Erich Käst­ner
  7. There Were Five of Us — Karel Poláček
  8. What the Neigh­bours Did, and Oth­er Sto­ries — Ann Philip­pa Pearce
  9. Hans Brinker, or The Sil­ver Skates — Mary Mapes Dodge
  10. The Secret Gar­den — Frances Hodg­son Bur­nett
  11. Eagle of The Ninth — Rose­mary Sut­cliff
  12. The Trea­sure of the Nibelungs — Gus­tav Schalk
  13. The Three Mus­ke­teers — Alexan­dre Dumas, père
  14. A Wiz­ard of Earth­sea — Ursu­la K. Le Guin
  15. Les Princes du Vent — Michel-Aime Bau­douy
  16. The Flam­bards Series — K. M. Pey­ton
  17. Sou­venirs ento­mologiques — Jean Hen­ri Fab­re
  18. The Long Win­ter — Lau­ra Ingalls Wilder
  19. A Nor­we­gian Farm — Marie Ham­sun
  20. Hei­di — Johan­na Spyri
  21. The Adven­tures of Tom Sawyer — Mark Twain
  22. Lit­tle Lord Fauntleroy — Frances Hodg­son Bur­nett
  23. Tis­tou of the Green Thumbs — Mau­rice Druon
  24. The Adven­tures of Sher­lock Holmes — Arthur Conan Doyle
  25. From the Mixed-Up Files of Mrs. Basil E. Frankweil­er — E. L. Konigs­burg
  26. The Otter­bury Inci­dent — Cecil Day-Lewis
  27. Alice’s Adven­tures in Won­der­land — Lewis Car­roll
  28. The Lit­tle Book­room — Eleanor Far­jeon
  29. The For­est is Alive or Twelve Months — Samuil Yakovle­vich Mar­shak
  30. The Restau­rant of Many Orders — Ken­ji Miyaza­wa
  31. Win­nie-the-Pooh — A. A. Milne
  32. Nihon Ryōi­ki – Kyokai
  33. Strange Sto­ries from a Chi­nese Stu­dio — Pu Songling
  34. Nine Fairy Tales: And One More Thrown in For Good Mea­sure — Karel Čapek
  35. The Man Who Has Plant­ed Welsh Onions — Kim So-un
  36. Robin­son Cru­soe — Daniel Defoe
  37. The Hob­bit — J. R. R. Tolkien
  38. Jour­ney to the West — Wu Cheng’en
  39. Twen­ty Thou­sand Leagues Under the Sea — Jules Verne
  40. The Adven­tures of the Lit­tle Onion — Gian­ni Rodari
  41. Trea­sure Island — Robert Louis Steven­son
  42. The Ship that Flew — Hil­da Winifred Lewis
  43. The Wind in the Wil­lows — Ken­neth Gra­hame
  44. The Lit­tle Hump­backed Horse — Pyotr Pavlovich Yer­shov (Ershoff)
  45. The Lit­tle White Horse — Eliz­a­beth Goudge
  46. The Rose and the Ring — William Make­peace Thack­er­ay
  47. The Radi­um Woman — Eleanor Door­ly
  48. City Neigh­bor, The Sto­ry of Jane Addams — Clara Ingram Jud­son
  49. Ivan the Fool — Leo Tol­stoy
  50. The Voy­ages of Doc­tor Dolit­tle — Hugh Loft­ing

Relat­ed Con­tent:

The Essence of Hayao Miyaza­ki Films: A Short Doc­u­men­tary About the Human­i­ty at the Heart of His Ani­ma­tion

Hayao Miyaza­ki Tells Video Game Mak­ers What He Thinks of Their Char­ac­ters Made with Arti­fi­cial Intel­li­gence: “I’m Utter­ly Dis­gust­ed. This Is an Insult to Life Itself”

Build Your Own Minia­ture Sets from Hayao Miyazaki’s Beloved Films: My Neigh­bor Totoro, Kiki’s Deliv­ery Ser­vice & More

Ayun Hal­l­i­day is an author, illus­tra­tor, the­ater mak­er and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine.  She’ll be appear­ing onstage in New York City this June as one of the clowns in Paul David Young’s Faust 3. Fol­low her @AyunHalliday.

An Animated History of Tea

Self pro­claimed tea geek, Shu­nan Teng’s knowl­edge of her cho­sen sub­ject extends well beyond the prop­er way to serve and pre­pare her best-loved bev­er­age.

Her recent TED-Ed les­son on the His­to­ry of Tea, above, hints at cen­turies of blood­shed and mer­ce­nary trade prac­tices, dis­creet­ly masked by Steff Lee’s benign ani­ma­tion.

Addic­tion, war, and child labor—the last, a grim ongo­ing real­i­ty…. Med­i­tate on that the next time you’re enjoy­ing a nice cup of Dar­jeel­ing, or bet­ter yet, matcha, a prepa­ra­tion whose West­ern buzz is start­ing to approx­i­mate that of the Tang dynasty.

Even die-hard cof­fee loy­al­ists with lit­tle patience for the rit­u­al­is­tic niceties of tea cul­ture can indulge in some fas­ci­nat­ing triv­ia, from the inven­tion of the clip­per ship to the pos­si­ble health ben­e­fits of eat­ing rather than drink­ing those green leaves.

Test your TQ post-les­son with TED-Ed’s quiz, or this one from Tea Drunk, Teng’s authen­tic Man­hat­tan tea house.

Relat­ed Con­tent:

George Orwell Explains How to Make a Prop­er Cup of Tea

10 Gold­en Rules for Mak­ing the Per­fect Cup of Tea (1941)

“The Virtues of Cof­fee” Explained in 1690 Ad: The Cure for Lethar­gy, Scurvy, Drop­sy, Gout & More

Ayun Hal­l­i­day is an author, illus­tra­tor, the­ater mak­er and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine. She’ll be appear­ing onstage in New York City this June as one of the clowns in Paul David Young’s Faust 3. Fol­low her @AyunHalliday.

The Map of Chemistry: New Animation Summarizes the Entire Field of Chemistry in 12 Minutes

Philoso­phers, tech­nol­o­gists, and futur­ists spend a good deal of time obsess­ing about the nature of real­i­ty. Recent­ly, no small num­ber of such peo­ple have come togeth­er to endorse the so-called “sim­u­la­tion argu­ment,” the mind-bog­gling, sci-fi idea that every­thing we expe­ri­ence exists as a vir­tu­al per­for­mance inside a com­put­er sys­tem more sophis­ti­cat­ed than we could ever imag­ine. It’s a sce­nario right out of Philip K. Dick, and one Dick believed pos­si­ble. It’s also, per­haps, ter­mi­nal­ly the­o­ret­i­cal and impos­si­ble to ver­i­fy.

So… where might the per­plexed turn should they want to under­stand the world around them? Are we doomed to expe­ri­ence real­i­ty—as post­mod­ern the­o­rist Jean Bau­drillard thought—as noth­ing more than end­less sim­u­la­tion? It’s a lit­tle old-fash­ioned, but maybe we could ask a sci­en­tist? One like physi­cist, sci­ence writer, edu­ca­tor Dominic Wal­li­man, whose series of short videos offer to the layper­son “maps” of physics, math, and, just above, chem­istry.

Walliman’s inge­nious teach­ing tools excel in con­vey­ing a tremen­dous amount of com­plex infor­ma­tion in a com­pre­hen­sive and intel­li­gi­ble way. We not only get an overview of each field’s intel­lec­tu­al his­to­ry, but we see how the var­i­ous sub­dis­ci­plines inter­act.

One of the odd­i­ties of chem­istry is that it was once just as much, if not more, con­cerned with what isn’t. Many of the tools and tech­niques of mod­ern chem­istry were devel­oped by alchemists—magicians, essen­tial­ly, whom we would see as char­la­tans even though they includ­ed in their num­ber such tow­er­ing intel­lects as Isaac New­ton. Wal­li­man does not get into this strange sto­ry, inter­est­ing as it is. Instead, he begins with a pre­his­to­ry of sorts, point­ing out that since humans start­ed using fire, cook­ing, and work­ing with met­al we have been engag­ing in chem­istry.

Then we’re launched right into the basic build­ing blocks—the parts of the atom and the peri­od­ic table. If, like me, you passed high school chem­istry by writ­ing a song about the ele­ments as a final project, you may be unlike­ly to remem­ber the var­i­ous types of chem­i­cal bonds and may nev­er have heard of “Van der Waals bond­ing.” There’s an oppor­tu­ni­ty to look some­thing up. And there’s noth­ing wrong with being a pri­mar­i­ly audi­to­ry or visu­al learn­er. Wal­li­man’s instruc­tion does a real ser­vice for those who are.

Wal­li­man moves through the basics briskly and into the dif­fer­ences between and uses of organ­ic and inor­gan­ic chem­istry. As the ani­ma­tion pulls back to reveal the full map, we see it is com­prised of two halves: “rules of chem­istry” and “areas of chem­istry.” We do not get expla­na­tions for the extreme end of the lat­ter cat­e­go­ry. Fields like “com­pu­ta­tion­al chem­istry” are left unex­plored, per­haps because they are too far out­side Wal­li­man’s exper­tise. One refresh­ing fea­ture of the videos on his “Domain of Sci­ence” chan­nel is their intel­lec­tu­al humil­i­ty.

If you’ve enjoyed the physics and math­e­mat­ics videos, for exam­ple, you should check back in with their Youtube pages, where Wal­li­man has post­ed lists of cor­rec­tions. He has a list as well on the chem­istry video page. “I endeav­our to be as accu­rate as pos­si­ble in my videos,” he writes here, “but I am human and def­i­nite­ly don’t know every­thing, so there are some­times mis­takes. Also, due to the nature of my videos, there are bound to be over­sim­pli­fi­ca­tions.” It’s an admis­sion that, from my per­spec­tive, should inspire more, not less, con­fi­dence in his instruc­tion. Ide­al­ly, sci­en­tists should be dri­ven by curios­i­ty, not van­i­ty, though that is also an all-too-human trait. (See many more maps, exper­i­ments, instruc­tion­al videos, and talks on Wal­li­man’s web­site.)

In the “Map of Physics,” you’ll note that we even­tu­al­ly reach a gap­ing “chasm of ignorance”—a place where no one has any idea what’s going on. Maybe this is where we reach the edges of the sim­u­la­tion. But most sci­en­tists, whether physi­cists, chemists, or math­e­mati­cians, would rather reserve judg­ment and keep build­ing on what they know with some degree of cer­tain­ty. You can see a full image of the “Map of Chem­istry” fur­ther up, and pur­chase a poster ver­sion here.

Find Free Chem­istry Cours­es in our col­lec­tion, 1,700 Free Online Cours­es from Top Uni­ver­si­ties.

Relat­ed Con­tent:

The Map of Physics: Ani­ma­tion Shows How All the Dif­fer­ent Fields in Physics Fit Togeth­er

The Map of Math­e­mat­ics: Ani­ma­tion Shows How All the Dif­fer­ent Fields in Math Fit Togeth­er

Isaac Newton’s Recipe for the Myth­i­cal ‘Philosopher’s Stone’ Is Being Dig­i­tized & Put Online (Along with His Oth­er Alche­my Man­u­scripts)

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

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