David Bowie Recalls the Strange Experience of Inventing the Character Ziggy Stardust (1977)

Oh, not anoth­er Bowie post! Oh yes, yes it is. We don’t keep our love for Bowie secret, and along with his first album in ten years comes new archival mate­r­i­al: new to us that is, and maybe to you too.

Now, if your pri­ma­ry expe­ri­ence of Bowie was through his ear­ly 70s char­ac­ter Zig­gy Star­dust—a rock opera cre­ation as much as Hed­wig or Dr. Frank-N-Furter—it would be easy to believe Bowie was Zig­gy. He inhab­it­ed the char­ac­ter so ful­ly that it’s hard to imag­ine he was play­ing a very delib­er­ate part the whole time.

But of course, he was. Zig­gy and the Spi­ders were, as Bowie says above, a “the­ater piece.” Pre­vi­ous­ly, we’ve fea­tured a doc­u­men­tary (see again below) that chron­i­cles the rise of Zig­gy Star­dust, from Bowie’s some­what obscure begin­nings to his break­out as the char­ac­ter. In the 1977 inter­view clip above from the CBC, watch Bowie, as him­self, describe the expe­ri­ence of being Zig­gy.

He talks of his influences—a mélange of kabu­ki the­ater, mime, and New York art rock (“Vel­vet Under­ground, what­ev­er”). He calls the music from Zig­gy Star­dust and the Spi­ders From Mars “a British view of Amer­i­can street ener­gy.” In ret­ro­spect, it’s easy to see the act as just that, but in the moment, Bowie’s fans believed in Zig­gy as sure­ly as they believed any­thing else. Watch, for exam­ple, as starstruck audi­ence mem­bers rap­tur­ous­ly mouth the words to “Moon­age Day­dream” in this clip from D.A. Pennebaker’s Zig­gy Star­dust film.


P
ennebaker’s film caught Bowie’s final per­for­mance as the alien rock star at London’s Ham­mer­smith in 1973. No doubt these fans were hor­ri­bly crushed when Zig­gy announced his retire­ment before the final song. But I’m sure they kept their elec­tric eye on the re-invent­ed Bowie in Berlin, a peri­od he also dis­cuss­es above, when he left L.A. for Ger­many and began work­ing with Bri­an Eno and Iggy Pop.

Relat­ed Con­tent:

The Sto­ry of Zig­gy Star­dust: How David Bowie Cre­at­ed the Char­ac­ter that Made Him Famous

David Bowie Sings ‘I Got You Babe’ with Mar­i­anne Faith­full in His Last Per­for­mance As Zig­gy Star­dust

David Bowie Releas­es Vin­tage Videos of His Great­est Hits from the 1970s and 1980s

Josh Jones is a writer and musi­cian based in Wash­ing­ton, DC. Fol­low him @jdmagness

A Boy And His Atom: IBM Creates the World’s Smallest Stop-Motion Film With Atoms

What you’re watch­ing above isn’t your ordi­nary film. No this film — A Boy And His Atom – holds the Guin­ness World Record for being the World’s Small­est Stop-Motion Film. It’s lit­er­al­ly a movie made with atoms, cre­at­ed by IBM nanophysi­cists who have “used a scan­ning tun­nel­ing micro­scope to move thou­sands of car­bon monox­ide mol­e­cules, all in the pur­suit of mak­ing a movie so small it can be seen only when you mag­ni­fy it 100 mil­lion times.” If you’re won­der­ing what that means exact­ly, then I’d encour­age you to watch the behind-the-scenes doc­u­men­tary below. It takes you right onto the set — or, rather into the lab­o­ra­to­ries — where IBM sci­en­tists reveal how they move 5,000 mol­e­cules around, cre­at­ing a sto­ry frame by frame. As you watch the doc­u­men­tary, you’ll real­ize how far nan­otech­nol­o­gy has come since Richard Feyn­man laid the con­cep­tu­al foun­da­tions for the field in 1959A Boy And His Atom will be added to our col­lec­tion of 525 Free Movies Online.

Relat­ed Con­tent:

Richard Feyn­man Intro­duces the World to Nan­otech­nol­o­gy with Two Sem­i­nal Lec­tures (1959 & 1984)

Stephen Fry Intro­duces the Strange New World of Nanoscience

Obey the Giant: Short Film Presents the True Story of Shepard Fairey’s First Act of Street Art

Street artists: you either love ’em or hate ’em. Or, to put it less blunt­ly, you either find ’em inno­v­a­tive pub­lic icono­g­ra­phers or find ’em puerile pub­lic nui­sances. I sure­ly don’t have to get into the con­tro­ver­sy of appraisal and reap­praisal that swirls end­less­ly around Eng­lish sten­cil-wield­ing satirist Banksy, but even the far less secre­tive and aggres­sive Shep­ard Fairey has detrac­tors as fer­vent as his admir­ers. Yes, I mean the Oba­ma “HOPE” fel­low, though he began launch­ing images into our zeit­geist well before any of us knew the name of the future Pres­i­dent of the Unit­ed States of Amer­i­ca. You can learn much more about his ear­ly, pre-HOPE work by watch­ing Obey the Giant, a brand new twen­ty-minute doc­u­men­tary free to watch online. Among the truths revealed: Fairey also cre­at­ed “Andre the Giant has a posse” stick­ers, those pil­lars of nineties under­ground cul­ture and results of an “exper­i­ment in phe­nom­e­nol­o­gy” that you’ve almost cer­tain­ly been spot­ting ever since.

Direct­ed by for­mer Fairey intern Julian Mar­shall, the short exam­ines the cir­cum­stances sur­round­ing his cre­ation of this prank­ish yet sur­pris­ing­ly long-lived cam­paign. Why appro­pri­ate the image of such a well-known pro­fes­sion­al wrestler? Why cred­it him with a posse? Why start spread­ing the word on the streets of Prov­i­dence? To address these ques­tions, Obey the Giant goes back to Fairey’s years at the Rhode Island School of Design in the late eight­ies and ear­ly nineties, when he hung out with a tight-knit group of hip-hop-lov­ing skaters, known inter­nal­ly as “the Posse,” and need­ed a sam­ple image to try mak­ing a sten­cil out of. The doc­u­men­tary, which crowd­sourced its $65,000 bud­get through Kick­starter, fea­tures a fic­tion­al­ized ver­sion of Fairey por­trayed by an actor. The move seems faint­ly rem­i­nis­cent of Banksy’s real­i­ty-ambigu­ous 2012 film Exit Through the Gift Shop, though the real Fairey does­n’t con­ceal his iden­ti­ty. He even occa­sion­al­ly turns up, so I’ve heard, at the muse­um here in Los Ange­les where my lady works — in the gift shop, as it hap­pens.

Relat­ed Con­tent:

The Oba­ma “Hope” Poster & The New Copy­right Con­tro­ver­sy

Shep­ard Fairey Caves In, Revis­es Occu­py Wall Street Poster

Artist Shep­ard Fairey Curates His Favorite YouTube Videos

Strik­ing Posters From Occu­py Wall Street: Down­load Them for Free

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on lit­er­a­ture, film, cities, Asia, and aes­thet­ics. He’s at work on a book about Los Ange­lesA Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall.

23 Cartoonists Unite to Demand Action to Reduce Gun Violence: Watch the Result

The Unit­ed States has only five per­cent of the world’s pop­u­la­tion, but some­where between 35 and 50 per­cent of the world’s pri­vate­ly owned guns. Is it a sur­prise, then, that we have sig­nif­i­cant­ly high­er rates of gun vio­lence?

Accord­ing to research pub­lished by the Nation­al Insti­tutes of Health, homi­cide rates in the U.S. are 6.9 times high­er than they are in oth­er high-income nations. For 15- to 24-year-olds, the homi­cide rate is 42.7 times high­er. Firearm sui­cide rates are 5.8 times high­er in Amer­i­ca than in oth­er coun­tries, even though the over­all sui­cide rates are 30 per­cent low­er.

A suc­ces­sion of high-pro­file massacres–Columbine, Vir­ginia Tech, Sandy Hook–has tak­en place against a base­line of dai­ly gun deaths that rarely make the nation­al head­lines: mur­ders, sui­cides, acci­den­tal killings. Since the Decem­ber 14 mass mur­der at Sandy Hook Ele­men­tary School in New­town, Con­necti­cut, in which 20 chil­dren and six adults were gunned down by a heav­i­ly armed man, there have been well over 3,300 gun-relat­ed deaths in Amer­i­ca. If cur­rent trends con­tin­ue, gun deaths are pro­ject­ed to exceed traf­fic deaths for the first time by the year 2015.

So what is being done? At the fed­er­al lev­el, noth­ing.

Ear­li­er this month the Sen­ate not only struck down leg­is­la­tion to ban assault weapons and high-capac­i­ty gun mag­a­zines, it also struck down–at the will of a 45-mem­ber minority–a bipar­ti­son com­pro­mise to expand back­ground checks for gun buy­ers, a mea­sure sup­port­ed by 90 per­cent of the Amer­i­can peo­ple.

In response to the paral­y­sis (some would say cow­ardice) on Capi­tol Hill, a group of 23 promi­nent car­toon­ists, includ­ing Gar­ry Trudeau, Ruben Bolling, Art Spiegel­man and Tom Tomor­row, have joined forces to fight back against the gun lob­by. The car­toon (above) was orga­nized by May­ors Against Ille­gal Guns, and is nar­rat­ed by actors Julianne Moore and Philip Sey­mour Hoff­man.

“Enough. Demand action,” say Moore and Hoff­man. “As a dad, as a mom, as a hus­band, as a wife, as a fam­i­ly, as a friend. As an Amer­i­can. It’s time. We can’t back down. It’s time for our lead­ers to act right now. Demand action”

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The Finland Wartime Photo Archive: 160,000 Images From World War II Now Online

Kuitu Oy:llä konstuoitu IT-tykki.

From the The Finnish Defence Forces comes the Finnish Wartime Pho­to­graph Archive, a col­lec­tion of 160,000 pho­tographs tak­en dur­ing World War II when Fin­land fought to free itself from Nazi Ger­many and the Sovi­et Union. Pre­served in their orig­i­nal state, the pic­tures “por­tray life on the home front, ruins from bomb­ings, the war indus­try and events that hap­pened behind the front lines.” As you can imag­ine, some of the pho­tos can be dis­turb­ing.

On a brighter note, let me add this. You can down­load each and every pho­to, and use them for edu­ca­tion­al pur­pos­es. The archive only asks that you give prop­er attri­bu­tion by men­tion­ing “SA-kuva” as the source. And, indeed, “SA-kuva” should be giv­en cred­it for the image above.

You can enter the com­plete archive here.

via Petapix­el

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Open Culture was founded by Dan Colman.