The artist and carÂtoon pioÂneer WinÂsor McCay (1869?-1934) did not make the world’s first aniÂmatÂed film. That disÂtincÂtion goes to Emile Cohl and his 76-secÂond long FanÂtasÂmagorie (1908). But McKÂay, who was also the author of the popÂuÂlar weekÂly LitÂtle Nemo comÂic strips, made a conÂtriÂbuÂtion to carÂtoons that is arguably even more imporÂtant.
Sweet, misÂchieÂvous GerÂtie, with her ready tears, excitable nature, and comÂplete inabilÂiÂty to miss a chance to get herÂself in trouÂble, is wideÂly credÂitÂed as the first charÂacÂter creÂatÂed specifÂiÂcalÂly for aniÂmaÂtion, and the first to demonÂstrate a perÂsonÂalÂiÂty all of her own. MickÂey Mouse, Bugs BunÂny, BamÂbi, even Wall‑e… they all owe a debt to GerÂtie, the first of the line. One susÂpects the artist knew exactÂly what he was doing when he chose to draw her as an aniÂmal that is also our comÂmon ancesÂtor.
The fetchÂing bronÂtosaurus may have been one of McCay’s most famous creÂations, but there was magÂic in every film he made. Be sure to check out How a MosÂquiÂto OperÂates (1912), The SinkÂing of the LusiÂtaÂnia (1921), and his brief but magÂnifÂiÂcent The CenÂtaurs (1921). You can find them all in our Free Movie colÂlecÂtion.
RelatÂed ConÂtent:
EarÂly ExperÂiÂments in ColÂor Film (1895–1935)
How Walt DisÂney CarÂtoons are Made
SheerÂly Avni is a San FranÂcisÂco-based arts and culÂture writer. Her work has appeared in Salon, LA WeekÂly, MothÂer Jones, and many othÂer pubÂliÂcaÂtions. You can folÂlow her on twitÂter at @sheerly.