Jane Austen Used Pins to Edit Her Abandoned Manuscript, The Watsons

Austen Pins

Before the word proces­sor, before White­out, before Post It Notes, there were straight pins. Or, at least that’s what Jane Austen used to make edits in one of her rare man­u­scripts. In 2011, the Bodleian Library acquired the man­u­script of Austen’s aban­doned nov­el, The Wat­sons. In announc­ing the acqui­si­tion, the Bodleian wrote:

The Wat­sons is Jane Austen’s first extant draft of a nov­el in process of devel­op­ment and one of the ear­li­est exam­ples of an Eng­lish nov­el to sur­vive in its for­ma­tive state. Only sev­en man­u­scripts of fic­tion by Austen are known to survive.The Wat­sons man­u­script is exten­sive­ly revised and cor­rect­ed through­out, with cross­ings out and inter­lin­ear addi­tions.

Janeausten.ac.uk (the web site where Austen’s man­u­scripts have been dig­i­tized) takes a deep­er dive into the curi­ous qual­i­ty of The Wat­sons man­u­script, not­ing:

The man­u­script is writ­ten and cor­rect­ed through­out in brown iron-gall ink. The pages are filled in a neat, even hand with signs of con­cur­rent writ­ing, era­sure, and revi­sion, inter­rupt­ed by occa­sion­al pas­sages of heavy inter­lin­ear cor­rec­tion.… The man­u­script is with­out chap­ter divi­sions, though not with­out infor­mal divi­sion by wider spac­ing and ruled lines. The full pages sug­gest that Jane Austen did not antic­i­pate a pro­tract­ed process of redraft­ing. With no cal­cu­lat­ed blank spaces and no obvi­ous way of incor­po­rat­ing large revi­sion or expan­sion she had to find oth­er strate­gies – the three patch­es, small pieces of paper, each of which was filled close­ly and neat­ly with the new mate­r­i­al, attached with straight pins to the pre­cise spot where erased mate­r­i­al was to be cov­ered or where an inser­tion was required to expand the text.

Accord­ing to Christo­pher Fletch­er, Keep­er of Spe­cial Col­lec­tions at the Bodleian Library, this prick­ly method of edit­ing was­n’t exact­ly new. Archivists at the library can trace pins being used as edit­ing tools back to 1617.

You can find The Wat­sons online here:

Relat­ed Con­tent:

The Recipes of Icon­ic Authors: Jane Austen, Sylvia Plath, Roald Dahl, the Mar­quis de Sade & More

15-Year-Old Jane Austen Writes a Satir­i­cal His­to­ry Of Eng­land: Read the Hand­writ­ten Man­u­script Online (1791)

Read Jane Austen’s Man­u­scripts Online


by | Permalink | Comments (4) |

Sup­port Open Cul­ture

We’re hop­ing to rely on our loy­al read­ers rather than errat­ic ads. To sup­port Open Cul­ture’s edu­ca­tion­al mis­sion, please con­sid­er mak­ing a dona­tion. We accept Pay­Pal, Ven­mo (@openculture), Patre­on and Cryp­to! Please find all options here. We thank you!


Comments (4)
You can skip to the end and leave a response. Pinging is currently not allowed.
  • Ruth Brucker says:

    Eudo­ra Wel­ty also “altered” her writ­ings with pins. There is a doc­u­men­tary of her dis­cussing her method.

  • Pride and Prejudice says:

    we love Jane Austen wor too! If you allow us, we present you 27 works of Jane Austen com­piled into ten books designed for your read­ing plea­sure on Kin­dle. Enjoy all of Austen’s won­der­ful char­ac­ters, sus­pense, intrigue and romance, ele­gant­ly pre­sent­ed into one file.
    Com­piled in the col­lec­tion are the fol­low­ing books:
    COMPLETE NOVELS
    — Sense and Sen­si­bil­i­ty
    — Pride and Prej­u­dice
    — Mans­field Park
    — Emma
    — Northang­er Abbey
    — Per­sua­sion and more! http://bit.ly/ReadJaneAusten
    Thank you so much for such a won­der­ful blog!

  • Peter Difatta says:

    Does any­body have an expla­na­tion for the num­bers above the pins?

  • amy Hunt says:

    Good question…that was the first thought that popped into my mind.

Leave a Reply

Quantcast