Listen to a Recording of a Song Written on a Man’s Butt in a 15-Century Hieronymus Bosch Painting

There’s some­thing unusu­al­ly excit­ing about find­ing a hid­den or dis­creet­ly placed ele­ment in a well-known paint­ing. I can only imag­ine the thrill of the physi­cian who first noticed the curi­ous pres­ence of a human brain in Michelangelo’s The Cre­ation of Adam: god, his ret­inue of angels, and their cloak map neat­ly onto some of the main neur­al struc­tures, includ­ing the major sul­ci in the cere­bel­lum, the pitu­itary gland, the frontal lobe, and the optic chi­asm. It’s hard to gauge Michelangelo’s moti­va­tion for doing so, but con­sid­er­ing his doc­u­ment­ed inter­est in dis­sec­tion and phys­i­ol­o­gy, the find is not par­tic­u­lar­ly sur­pris­ing.

adam

Last week, the Inter­net became sim­i­lar­ly excit­ed when an enter­pris­ing blog­ger named Amelia tran­scribed, record­ed, and uploaded a musi­cal score straight out of Hierony­mus Bosch’s Gar­den of Earth­ly Delights, paint­ed between 1490 and 1510. The kick­er? Amelia found the score writ­ten on a suf­fer­ing sinner’s butt. The poor, musi­cal­ly-brand­ed soul may be seen in the bot­tom left-hand cor­ner of the painting’s third and final pan­el (click the image below to enlarge), where­in Bosch depicts the var­i­ous tor­ture meth­ods of hell. The unfor­tu­nate hell-dweller lies pros­trate atop an open music book, crushed by a gigan­tic lute, while a toad-like demon stretch­es his tongue towards his tune­ful but­tocks. Anoth­er inhab­i­tant is strung up on a harp above the scene.

bosch-1

The piece, which Amelia tran­scribed and record­ed, can be heard in the video above or in a choral arrange­ment made by blog­ger Well Man­i­cured Man. It is… unusu­al. Although we can’t ascer­tain why Bosch decid­ed to write out this par­tic­u­lar melody, since scant bio­graph­i­cal infor­ma­tion about the painter sur­vives, it’s pos­si­ble that he decid­ed to include music in his depic­tion of the infer­no because it was viewed as a sign of sin­ful plea­sure. For those who haven’t yet had a chance to hear it, lis­ten to Medieval-era butt music above, or at Amelia’s site.

via Dan­ger­ous Minds

Ilia Blin­d­er­man is a Mon­tre­al-based cul­ture and sci­ence writer. Fol­low him at @iliablinderman or at Google, or read more of his writ­ing at the Huff­in­g­ton Post.

Relat­ed Con­tent:

Physics from Hell: How Dante’s Infer­no Inspired Galileo’s Physics

Medieval Cats Behav­ing Bad­ly: Kit­ties That Left Paw Prints … and Peed … on 15th Cen­tu­ry Man­u­scripts

Prize-Win­ning Ani­ma­tion Lets You Fly Through 17th Cen­tu­ry Lon­don

 


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Comments (3)
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  • Sascha says:

    On the occa­sion of this dis­cov­ery, I cre­at­ed a vir­tu­al 3D exhi­bi­tion of Bosch’s most famous paint­ings. A muse­um would nev­er be able to unite these valu­able and frag­ile art­works all togeth­er with­in one sin­gle hall – every­body is invit­ed to explore it from their lap­tops after installing a brows­er plu­g­in. http://bit.ly/1cqwNW9

  • Ron Fontes says:

    Obvi­ous­ly not the work of an actu­al com­pos­er, more like the musi­cal nota­tion a car­toon­ist would use to indi­cate music.
    The Michelan­ge­lo “brain” thing is more intrigu­ing: i nev­er noticed the bil­low­ing cloak is actu­al­ly shaped like a brain. Wowsers.

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